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A love lost. A soul restored. A decade of secrets and separation.
It takes a child to lead them home.
American Dianna Calloway is committed to educating children in the thick of war-ravaged 1990s Southern Sudan. Hampered by disease, a corrupt government and a warlord who is harboring a mysterious young boy, Dianna’s passionate calling to help others in a dangerous country is only complicated by the chance meeting of a long-lost love. Faced with the choice to pursue integrity and justice or reconnect with the man she still holds dear, Dianna must make the most difficult decision of her life.
Dianna and Qasim can’t be more different. He’s a worldly Lebanese Muslim with a political family in his 40s, and she’s a 30-something white Christian American. They’ve been challenged by geography, culture, trust, career, and the passing of time. Now there’s a young boy who’s stolen Dianna’s heart. She’ll do anything to get him a visa out of S. Sudan. But when her mother becomes ill, she leaves Africa physically, but her heart stays in there as if it can protect the man who loves her and the boy who needs her. What choice does she have now?
Yet nothing is as it seems, and it may be that no one needs love more than Dianna.
Sweeping across continents and cultures, this captivating novel showcases Ramsperger’s work as a humanitarian journalist and will draw readers in with a gripping storyline, gritty details, and profound sensitivity. The novel is both timeless and timely, as war and climate change attack Sudan and S. Sudan once again. A Faulkner Wisdom Literary finalist and a Pulpwood Queen’s featured pick for 2023, A Thousand Flying Things is a riveting, poignant read that will work to heal global misunderstandings and encourage conversations about perspectives and assumptions around race, country, and culture while also showing readers that love, not war, conquers all.

“A sweeping story crossing continents and cultures, A Thousand Flying Things chronicles the long-range aspirations of an American woman teaching children in the thick of war-ravaged southern Sudan. As she searches for the balance between her career’s passionate calling and her personal fulfillment, issues of integrity, loyalty, and a love arrested are examined in an enthralling story written with uncanny insight and unparalleled prose. A knowledgeable, resonating novel memorable for its gripping storyline and profound sensitivity, this novel is a riveting, poignant read.”
Claire Fullerton
“Beautifully written, a joy to read and highly entertaining in the most wonderful way possible. Kathryn Brown Ramsperger, quite simply, has written a great novel.” —Cindy Williams, Actress best known as the co-star of “Laverne and Shirley” & Author of Shirley, I Jest!
“Smart fiction, which speaks in a lyrical voice of love, wisdom, and social justice, containing the same rich themes as its prequel The Shores of Our Souls. Readers will relish the reunion of lovers, Dianna and Qasim, on an international stage fraught with war, hunger, and immigrants. It’s a world of instability with one constant—unconditional love. A Thousand Flying Things is an important read, resonating with the difficult choices we are forced to make in today’s fragile world.” —Johnnie Bernhard, Author of Hannah and Ariela, American University Press Association’s 100 Best Books

A veteran humanitarian journalist, coach, and communications expert, Kathryn Brown Ramsperger is the author of three novels, Moments On The Edge, The Shores Of Our Souls, and A Thousand Flying Things. She is the winner of the Hollins University Fiction Prize, a Foreword Indies Award for multicultural fiction, two Hermes Creative awards, and several awards from the International Association of Business Communicators.
Her journalism and humanitarian careers have influenced her writing, and her work has appeared in many notable publications, including Nat Geo, Kiplinger, and The MacGuffin and Thought Catalog. Her second novel, The Shores Of Our Souls, was a Washington, DC Public Library’s featured book.
Connect with Kathryn on her website https://kathrynbrownramsperger.com

Available where books are sold!

Author and editor Susan Cushman of Memphis Tennesse had a wonderful idea, and made a call out to some of her literary friends to ask if they would contribute to an anthology on the subject of life, death and angels. Susan wanted to read our stories, and assemble them in the book whose cover you see above. The anthology was just released by Madville Publishing, and it’s available where all books are sold.
It was my pleasure to contribute an essay to the anthology, All Night, All Day. My essay is titled, The Power of Three, and in it I tell the story of meeting the author, Anne Patchett, who, along with two of her friends, arranged for the first art exhibit of their friend, Sooki Raphael’s work. The art show was at Santa Monica, California’s Bergamot Station, and its staging was an act of love by Ann Patchett and her two friends, for at the time, Sooki Raphael was battling the pancreatic cancer to which she would ultimately succumb. Sooki Raphael’s art show was extraordinary, but what impressed me most about going to Bergamot Station that day was being in witness of the supportive power of female friendship.

The anthology is an inspirational collection of personal essays, stories, and poems by outstanding women authors who write about the appearance of the divine in their lives. Some of these angels come to save a life or change a flat tire. Some appear to warn people, tell them what to do, suggest more vegetables and maybe better shoes. They appear as a tap of intuition, a whisper, a whoosh of warmth, a rainbow, or an act of kindness. They are the stranger ministering to you in the hospital, the sound of voices singing in the attic, the sudden light at the window, the man by the side of the road. They are nurses and sometimes they are you. In this stunning anthology which explores so many heartwarming brushes with celestial beings, all these angels are messengers come to assure us we are not alone, and we are loved.-Margaret McMullan, author of Where the Angels Lived
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… an anthology to be savored. This collection includes powerful first-hand accounts, interwoven with short fiction and poetry, beautifully exploring the themes of life, death, and angels. Jewels include Cassandra King Conroy’s unforgettable tale. It takes courage to write the raw truth of last moments, as Renea Winchester did in her touching story of her mother’s death titled “Waiting for Her Angel.” I loved Mandy Haynes’ heartwarming story, “Rose’s Angel” (plus, she’s a lovely person!). “The End” by Lisa Gornick is an intimate, touching tale. I shed tears over Susan Cushman’s “Hitting the Wall.” Within this collection are remembrances and memorials, which pay homage to a loved one or to a mystical experience. At the end, Claire Fullerton’s beautiful, final words offer the hope of peace. Crafting an anthology is an art. Susan Cushman has done a big topic justice-the sum of the parts is greater for having been compiled together. Savor this book…for its wisdom, humor, and truth.-Carol Van Den Hende, author of Orchid Blooming and Goodbye, Orchid
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Stories that evoke a sense of peace, reassurance, and safety, as well as strength and encouragement through reported angelic activities. These stories tell of unexpected humanity and love in the lives of those who needed affirmation of spirituality in the human world. The presence of angels is recounted through brilliant and descriptive imagery and intriguing yet identifiable characterization.-Francine Rodriguez, author of A Woman’s Story
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Life, death, and angel stories are usually only shared with those whom we trust and only during the quiet hours of our souls. Susan Cushman is the finder and sharer of these stories…. She has collected a wide spectrum of authors and encouraged them to contribute their personal stories and poems, thereby giving us a glimpse into their souls and the unspoken truths of our universal beliefs.-Donna Keel Armer, author of Solo in Salento: A Memoir
Here is a recent photograph of the tireless Susan Cushman at Lemuria Books in Jackson, Mississippi as she moderates a panel of contributors to All Night and All Day before a full house of readers!

All Night and All Day is a heartwarming collection of first person essays written by a collective of authors who have wonderful stories to tell. It’s general tone is sensitive and optimistic, deep-probing and thoughtful, and I know you’ll enjoy reading each and every essay as much as I have!

Launch Pad is a fully realized, three book series published by Red Penguin Books presented in a wonderfully organized manner, and it was my great privilege to contribute a piece on How to Be a Good Literary Citizen to Book Three, which yesterday released, and whose book cover is above.
Your book is written, and published, and headed for the NY Times Best Seller List! Ah, if only that were true. Regardless of the path that got you here, even award-winning bestsellers have to embrace a marketing plan that helps their book soar.
LAUNCH PAD: The Countdown to Marketing Your Book.
From Dan Blank’s marketing mindset guidance to practical tips on leveraging social media, book clubs, reviews, and so much more, this book, the third in a series of three on writing, publishing, and marketing your book, LAUNCH PAD will help you get it done! Each focused chapter engages you in a process that will raise your marketing IQ, build your skill set, and set you on a path for a successful book launch and marketing plan. Replete with countdown tips, ways to connect directly to the authors, and bonus downloadable planning sheets, LAUNCH PAD delivers a marketing book that speaks right to you.
A bit about the Launch Pad series:

I cannot recommend this series highly enough, for in this day and age, an author must be painstakingly prepared to launch their book. With total conviction, I will tell you that the Launch Pad series will help to create a remarkably streamlined and efficient marketing foundation. The series is available where all books are sold!
I take my hat off to the organizers of the Launch Pad series. Mary Helen Sheriff and Grace Sammon are two of the hardest working authors I’ve had the pleasure to come across in my years as a working author. Both writers have penned delightful fiction, and both have devoted their days to helping other authors in their careers.
Grace Sammon is an award-winning podcaster, and one of the best author interviewers out there! You can join Grace Sammon at the LAUNCH PAD for her new, fast-paced, radio show and podcast that celebrates new book releases and the authors that created them. Grace is the founder of Author Talk Network, the author of four books, including her latest novel The Eves, and the host of The Storytellers radio show and podcast.

Here is Grace’s wonderful novel, The Eves!

You can find out more about Grace Sammon here: https://www.gracesammon.net/
And about Mary Helen Sheriff:

Mary Helen Sheriff is the author of the award-winning southern women’s fiction, Boop and Eve’s Road Trip. She serves as an Author Marketing Coach, host of the podcast Growing Up Bookish, and the CEO of Bookish Road Trip. She has 14 years of teaching experience in elementary school, middle school, college, and professionals. Currently, she is editing a collaborative anthology entitled Launch Pad: Countdown to Marketing Your Book, which will launch in 2023. She earned an MFA in Children’s Literature from Hollins University.

Welcome to the LAUNCH PAD. Now, let’s see you and your book soar!
Available in print and digital where books are sold!

The world building elements in Patti Callahan Henry’s The Secret Book of Flora Lea are as varied and finely wrought as brush strokes on canvas. In the enchanting story’s two timeframes, the reader is taken into a quaint hamlet outside Oxford; pastoral fields beside the river Thames; a stone cottage with flourishing gardens; the fairy tale setting of Whisperwood; an antiquated bookstore in London’s town center; and, at the heart of the unfolding mystery, a secret between sisters evacuated from WWII London that haunts Hazel Linden well into 1960.
Excited to be taking an upwardly mobile position at Sotheby’s, on her last day of employment at Hogan’s Rare Book Shoppe in Bloomsbury, 25-year-old Hazel receives a shocking delivery from America of a recently published book titled, Whisperwood that dredges up the central wound of her past. The associated guilt Hazel harbors is never far from mind. “The dread. The panic. The jealousy of other people having small children at their side . . . Some days, she’d turn to that loss and acknowledge it, and sometimes, for blessed hours, she would forget, but then the shadow would fall long and fast onto her soul and she’d remember this: She lost her sister.”
Examining the book in hand, Hazel’s thoughts turn to 1940s London and “Operation Pied Piper, “a nursery rhyme name for a horror of an idea” that swept 14-year-old Hazel and her five-year-old sister, Flora, to the countryside during an uncelebrated part of England’s history that saw the children of WWII’s London relocated from harm’s way. “Now in the backroom of the small Rare Book Shoppe, the past overcame her. She’d been searching for her sister for twenty years now, ever since she’d disappeared when she was six years old from the hamlet of Binsey, and now Hazel had a clue, something to grasp on to and she was not letting go.”
Hazel’s devotion to discovering the truth behind the disappearance of her sister drives the story, and at its center is a 1940s fairy tale Hazel made up, intending to distract young Flora from the war-torn reality around them. The story grows in magical increments and begins each time, “Not very long ago and not very far away, there was and still is an invisible place right here with us. And if you are born knowing, you will find your way through the woodlands to the simmering doors that lead to the land made just and exactly for you.” The details of the imagined kingdom Hazel named Whisperwood were kept secret between the displaced sisters. When the book with that title falls into Hazel’s hands, so begins an expertly crafted suspenseful mystery.
The two timeframes in The Secret Book of Flora Lea create high stakes motivation as Hazel endeavors to discover what happened to Flora, while securing her own future. By 1960, Hazel has made a neat life for herself, despite her family’s unhealed backstory. Engaged to a young man from a prominent family and on course as a purveyor of rare books, when the past comes to haunt, questions of life’s priorities come to the fore, tipping the scale to the importance of family.
The supporting characters oscillate with fluid strategy throughout the story, as Hazel Linden, against all odds, refuses to accept the final judgement on her sister’s disappearance. Callahan Henry keeps the reader in character invested suspense. When all characters are brought into surprising alignment, Hazel asks herself, “Is this where hope met despair? Where the past rushed to the present? Where joy replaced the agony of the lost?”
Patti Callahan Henry delivers, yet again, an historically layered, dreamy tale that keeps the anglophile fires burning, on the heels of her acclaimed 2021 release, Once Upon a Wardrobe. Her descriptive detail is cinematic. Fourteen-year-old Hazel Linden, newly re-homed at the Aberdeen’s countryside cottage, gazes out the kitchen window in the hamlet of Binsey: “What a place this was, Hazel thought. All the wide green space to run; the rippling of the sky that touched the horizon of trees unobstructed by a cathedral or tall building. It was as if by taking a simple train ride the world had unfolded, presenting itself in long stretches of rolling hills and heather fields.”
A charming story that weaves fairy tale, mystery, and historical importance with a good dose of romance, The Secret Book of Flora Lea will appeal to all ages, as the author unfurls a fantastic story about “an invisible place right here with us.”

As it appears in the New York Journal of Books
Against the kinetic backdrop of a hurricane brewing and a young mother on the run from Louisiana, author Michael Farris Smith cinematically opens his Southern noir novel, Salvage This World, with a literary split screen depicting a phone call Jessie never wanted to make and Wade never wanted to answer. The desperate Jessie is in flight for her life, and the recovering alcoholic Wade never knew how to act like her father.
When Jessie, now in her early twenties, arrives with her young son in a stolen car at her estranged father’s ramshackle house in Pike County, Mississippi, Wade stands on his porch, lights a cigarette, and thinks, “She didn’t even tell you. And he ain’t even a baby anymore. She had a baby and didn’t tell you and now the baby is a boy, and she didn’t even tell you.”
Farris Smith sets the stage for characters wanting to connect despite the mutual, deep-seated resentment at the heart of their estrangement, when Wade dares to ask, “Where is Holt?” and Jessie says, “I can’t believe you said his name.”
Holt is the father of Jessie’s son, and his life has gone from bad to worse. A dozen years older than Jessie, the pair met at the local dairy bar, and although Jessie never asks, she knows the scars on the back of Holt’s neck chart his unlucky childhood.
The current trouble at the center of the story begins with Holt nursing a hangover prior to meeting Jessie. “Three years before, Holt had awakened with his face in the dirt, out behind a cinderblock bar on the outskirts of St. Francisville.” When he sees a group erecting a revival tent in a nearby field, he is intrigued. It is “as if he were not only still drunk but also trapped in a lucid dream of beckoning.”
The woman spearheading the revival is named Elser. Possessed of otherworldly charisma, she drives a hearse and leads the travelling congregation of The Temple of Pain and Glory by preaching us-versus-them sermons for monetary donation throughout an impoverished South so inhospitable it’s now dwindling in population. “No matter the field or parking lot or beaten up town the Temple of Pain and Glory raised its banner.”
As for her lemming-like parishioners, Elser “beat them with the stick of distrust and they cheered their own suffering.” The cynical Holt observes Elser from the back of the tent and knows, “She had them. The small, wrinkled, lightweight monster of a woman had them.”
In it but not of it, for lack of a better place to go, Holt intuits sinister dealings behind the scenes of the Temple of Pain and Glory, and when he witnesses the handoff of a mysterious key between Elser and a dubious character, events take a turn for the worse as curiosity leads Holt to break into Elser’s lodgings to steal them, resulting in his becoming a hunted man, and sweeping Jessie into a life-threatening story.
It is dark and disturbing dealings against a do-or-die background, and Michael Farris Smith keeps the tension off-kilter while unravelling the broken character’s surprising cause-and-effect connections. Weaving theft, murder, and kidnapping all having to do with the key, a menacing sky is sure to unleash a hurricane any minute.
The author’s gift for oblique dialogue is scene stealing. The characters speak cryptically in regional dialect telling of their baggage and downtrodden station, and the bleak settings are commensurate with the tenor of the story, when Wade, unwittingly drawn into Holt’s drama, embarks on a high-stakes mission in the dead of night to parts unknown. It is “A dense and untamed landscape drenched in darkness and rain. Wade drove along narrowed roads and unmarked roads and roads covered in runnels of muddy water and he went down gravel roads and slick roads that ran along overgrown fields and disappeared into thick forests and he searched and searched to find the crossing that would seem familiar to him.”
Farris Smith is in top form at the layered story’s breathtaking climax, masterfully guiding disparate variables from a slow burn to an incendiary ending with suspenseful detail, multi-sensory pacing, and a future open to interpretation.
Salvage This World is specifically set yet transcends regional fiction. It’s a masterly drawn, tightly controlled story about the lengths one will go to safeguard their own.


“‘Annie’s Song’ is an open-hearted memoir about a life spent loving the most vulnerable among us. These are stories full of joy and life that keep loved ones close, even after they’ve passed from this world. This poetic writing of untiring advocacy, compassionate witness, and deep love is a gift to the enormous community of writers-yes, those who have felt seen and uplifted by Annie McDonnell over the years, but also those who might be hearing her voice saying ‘you matter’ for the first time. This book is our chance to see how a life of empathy is born.” -Diane Zinna, author of “The All-Night Sun”
My Interview with Author Annie McDonnell:
I’d like to congratulate Annie McDonnell on Annie’s Song: Dandelions, Dreams and Dogs appearing pre-release at #2 Amazon Hot New Releases in Biographies/Memoirs for People with Disabilities and #21 Amazon Hot New Releases in Poetry/Grief, Death and Loss.
Q: In the book description of Annie’s Song: Dandelions, Dreams , and Dogs, it reads: “Annie’s experiential memoir, for which she’s provided QR codes linking to her favorite songs throughout, allows the reader to get a hint of what it’s like living suspended between this earthly existence and the afterlife.”
Can you tell us what it is that makes your memoir experimental?
A: The experiential element of this book is a vital part of my approach. I’d like the reader to have an experience when reading “Annie’s Song.” At the beginning of the book, I invite the reader to experience the book and give them ideas to engage each of the five senses. The first is the visual, and there are design elements throughout the book meant to make you slow down and absorb the essays and poems. I believe if you close your eyes, you might recall part of your own story or maybe that of a friend of yours. These stories can help you gain more empathy and compassion. The next sense will be touch, which will activate when you’re holding the book or Kindle in your hands. The next is scent, which is the most difficult one for me to offer, but a powerful one because certain scents have been proven to be a important trigger for memory. I typically offer it in all of my swag bags. Light a scented candle or some incense. I suggest choosing a scent that you absolutely adore. The next one is taste. Jennifer, who you’ll learn about, gave me a sticker that said, “She loved me more than chocolate itself, so whenever I’m reading a good book, I like to indulge in a piece of chocolate. Lastly, I invite you to enjoy your sense of hearing. I have included QR codes to add music to each essay and poem. Each song is tied to a particular person, event or time in my life, and the music fits what the memory means to me.
Q: How have you developed your career as a writer?
A: Honestly, I’ve wanted to write since third grade. But since I didn’t know how to become an author, I became a book reviewer. I absolutely love being a book reviewer. I had to learn how to be creative and interesting when I wrote the reviews. And then a few years ago, everything was just birthed from love among friends and teachers like Diane Zinna, Jennifer and Gordon, and Lauri Schoenfeld, Lisa C, Kerry Anne King and more. I started reading my essays and poems to some of my closest friends, and I was hooked. After my grief writing class, I’d call Echo Garrett of Lucid House Publishing and read my essays and poetry to her. She told me she would be honored to publish my book. She truly believed that they were wonderful. And my husband said, ”Annie, Echo believes in your work so much, you should let her publish a book she’d be the perfect person.” It’s been an amazing feat to get this book right. I had a lot of requests and then Lucid House editors and the designer had a lot of wonderful ideas.
Q: What gave you the idea to write this book?
A: The whole premise of this book came from my grappling with trying to understand how the various traumas that I have carried through the years may have contributed to my illnesses. Sometimes I do believe I carry them because of survivor’s guilt. Other times I believe what doctors at Mayo Clinic say. They told me that when I broke my neck in a car accident in1989 that spinal fluid got into my bloodstream, which caused an infection, and that’s why I had all these illnesses. I later found that the root of most of my diseases are the genes that I was born with. However, both the accident and other traumas that I carry could certainly contribute to me not healing properly or not going into remission like some people do. My health just always seems to be declining. I’ve been bullied online by plenty of people claiming I’m not sick. Over the years, I have had some doctors misdiagnose me or doubt that I was that sick. At one point, I started doubting myself and thought maybe I was going nuts and there wasn’t really anything wrong with me. But I did not stop fighting for myself, because I knew what I was feeling was real.
My hope for “Annie’s Song” would be that readers will either see themselves or somebody they know in my story. I want my words to wrap around their heart and foster empathy, compassion, and kindness. The world needs a lot more love and understanding. Often, your struggles stem from traumas that others don’t know we have had. I have been told that I let myself be a pincushion. I have also been told that I should be over my traumas. We have to stop blaming someone who is suffering for being sick or having a hard time with a traumatic event. For those of us with invisible wounds and illnesses, such statements only add to our pain.
Q: The idea of providing QR codes to your favorite songs is unique! Can you tell us three songs that are included in your book?
A: The idea to provide the QR codes was because we couldn’t name the artist, the group, or the song but legally we can use QR codes that connect to the performer’s personal YouTube videos. To understand a moment in time, you need to know the music of that era. Music brings it to life, and music is a healer. When I was caring for my stepmother when she had breast cancer, I would put on music and dance with her to get her to the bathroom. She would laugh, and say, “You make dying fun.“ That was one of the best compliments I’ve ever received in my life, and taking care of her was one of my highest honors. A few of the songs included are: “Easy on Me” – Adele, “World Before You” – Lauren Duski, and “Ain’t No Sunshine “ – Bill Withers
Q: What inspired your book’s title?
A: I’m inspired by writing and songs that have a series of beats—where you feel like you can actually hear the heartbeat of the writer or the musician. Writers and musicians have so much in common. We are all storytellers. It was too perfect to name it “Annie’s Song: Dandelions, Dreams and Dogs.” If you listen to the lyrics of John Denver’s song that’s what my book is about: “You fill up my senses,” “Come Let Me love you,” and “Let me die in your arms.” His song perfectly sums up my life.
I’d also like to believe that my book has a beautiful heartbeat, a lot of love between the covers. My hope is that this book will be remembered, the kind of book that you read again and again, just as “Annie’s Song” is still beloved all these decades later.
Q: Can you tell us about your work with dogs?
When we lost our dog Simon, who is on the cover of the book, I had to find a place to put all of his love. His presence was still in the house. I could feel it, so I started what I called #OperationSimon. I started volunteering for One Love Dog Rescue. I started off as a foster. I failed on two of them and wound up adopting them myself. One got adopted. Everything I did, I called #OperationSimon. It made me feel like he was still here. The statement “who rescued who?” is not lost on me. Then I started doing pick-ups in Queens and at JFK airport and then I went to New Jersey. I just had so much fun picking up the dogs as a FREEDOM RIDER. Not many volunteers want to do that job, but I’m in love with picking up these dogs and loving on them. When I got them in my car, I cleaned them up. I would sing to them. I would take them out of their crates. I tried to get them as comfortable as I could before we made the trek out from JFK, Newark or Queens to the eastern end of Long Island. I have some great stories about these pick-ups, and one day I hope to tell them.
I worked every fundraiser for many years. Now, I help with fundraisers when I can. I also love sending thank you cards to donors and adopters. I also help to press releases in all the local papers for events that we’re having, and I hope to God one day I get to be a freedom rider again. That’s the best thing I ever did.
Q: What is the targeted audience for your memoir?
People who have illnesses or are disabled and those who have experienced trauma, grief or loss in the course of their lives. I believe that this book is good for everybody for the simple fact that it promotes compassion and empathy for others and for those of us, who tend to be hardest of all on ourselves.
Q: Where is your book available?
It’s available in print and eBook from independent bookstores, Bookshop.org, all major online retailers, libraries, and has global distribution in major markets around the world. An audiobook will be released at a later date.

You will laugh, cry, and be moved. In this shimmering debut, a cross-genre blend of memoir, auto-fiction, magical realism, and poetry. Annie pours out her dreams, her loves, and her hopes along with grief, medical misdiagnoses, and innumerable losses. Her determination to live a life of love, joy, and meaning despite her great suffering shines throughout her essays and poems.

Meet Annie McDonnell:
A lifelong reader and advocate for writers and books, Annie McDonnell is an Alum of High Point University, Class of 1991.
In 2006, Annie won a contest with Elle and became a book reviewer for the magazine. When Elle stopped running book reviews in print, Annie moved to blogging and The Write Review community was born.
Annie is the author of her debut “Annie’s Song: Dandelions, Dreams & Dogs,” released on 3/14/2023. Writing book reviews, blurbs, articles and beta reading for almost two decades. Annie hosts interviews authors and runs workshops. She enjoys consulting with authors and planning online events. While having fun as a co-admin to the World of the Write Review Book Club, she also runs The Write Review page and blog.
In December 2020, Annie was the recipient of the Doug Marlette Award for a lifetime achievement in book promotion.
Annie lives in Mastic, NY, with her husband, three beautiful dogs and five adorable cats. She also volunteers at One Love Dog Rescue as much as possible. Annie supports both Adult & Children’s Literacy through book drives and Operation Paperback.

As it appears in the New York Journal of Books:
A beautiful, timeless, and timely collection of inspirational passages to use as a daily touchstone, Roma Downey’s Be an Angel: Devotions to Inspire and Encourage Love and Light Along the Way makes good on its title. It’s lovely in its optimism, succinct in its knowledge, efficient in its compact arrangement, and wonderfully structured for the reader’s convenience.
That actress, producer, and author, Roma Downey is a household name due to her starring role as an angel in the nine-year run of the fantasy/drama television show, Touched by an Angel, which justifies her hand in writing this book; it is her humility to which we’re attracted. In the book’s introduction, the author states her impetus in writing the book: “Over the years, because of my role on TV, people often mistook me for an actual angel.” Realizing the responsibility of her high-profile position, she explains how she rose to the challenge: “Della taught me that if we’re going to be used by God, we need to let go of our expectations and get out of the way.”
The 52 chapters of Be an Angel encourage the book’s use as a daily devotional to ponder in an incremental manner that, once coalesced, will impress as an overall way of being in the world, “bringing light into darkness.”
The chapters are neat and accessible, each beginning with a recognizable, inspirational quote followed compatibly by a short example of Downey’s personal experience to illustrate her point. Her manner is intimate and confessional. Her concerns are universal. Her tales range from anecdotes to transparent first-person narratives. Her settings range from home and hearth to her presence on social media.: “I recently posted this verse to my social media story one morning just after dawn . . . with the rest of the world, I had been watching a terrible international conflict evolve thousands of miles away.”
There are interesting stories in this well-arranged book, and the reader is given a look behind the curtain of a person leading a fascinating life. Downey shares her acquaintances and accomplishments with awe-struck wonder. She roams out into the world to India and returns to us with a message: “In India I encountered a profound oneness with humanity. We all love and lose. We have families and dreams . . . I
learned that we can understand one another’s pain if we open ourselves to it.”
Covering such subjects as hope, faith, gratitude, forgiveness, and grace, Downey suggests with a light hand that the beginning of enduring change might all start with you: “I started looking at what irks me considering what I’d want changed then doing for someone else what I’d want done.” Downey arrives at a conclusion: “We can’t change everything, but we can work toward peace when we change ourselves . . . if we don’t tend to what’s inside, we simply don’t have the bandwidth to be the change on a grander scale.”
Though anchored in Christian doctrine, Be an Angel transcends principle to embrace a larger concept of God. “It’s so essential in our frenetic world to step aside and be with God in stillness.” The author finds God in nature, “Often, I use the shift between activities to experience His presence in nature . . . I return to being not merely doing one more thing.”
The arrangement of this book is user friendly. Be an Angel is both an owner’s manual and a guide. Beneath each of the 14 general categories, there are three companion stories illustrating Downey’s subject in exemplary form. At the end of each essay is a prompt for the reader’s consideration written as a reflection, and the reader is invited to put what they’ve read into practice.
For dreamers and students, thinkers and searchers, Roma Downey’s Be an Angel is a collection of spellbinding essays that reads like a devotional. Its tone is enlightening and encouraging. It’s a beautiful book you’ll want to keep at your bedside and give to your family and friends.
Claire Fullerton is a staff reviewer at New York Journal of Books.

Roma Burnett OBE is an actress from Derry, Northern Ireland. For nine seasons she played Monica the angel in the CBS television series Touched by an Angel. She produced the mini-series The Bible for the History Channel and also appeared in it as Mary, mother of Jesus. She has performed on stage with the Abbey Theatre, The National Theatre of Ireland, and has appeared both on and off Broadway. She played the leading role of Jacqueline Kennedy Onassis in the Emmy award-winning miniseries A Woman Named Jackie for NBC.

Most books are meant to be read.
This one is meant to be lived.
It’s not easy to be courageous. Feelings of fear and uncertainty often stop us dead in our tracks. But what if you had the courage to take action anyway? What changes would you make to transform your current reality into the life of your dreams?
Here’s the good news — like a muscle, courage grows stronger the more you exercise it. And Scare Your Soul will not only teach you how to exercise courage but will guide you in taking small, boundary-pushing actions to expand your comfort zone (so that you feel less fear and more confidence with each action).
By combining research on positive psychology with real-life stories of Scare Your Soul participants, international thought leader and happiness entrepreneur Scott Simon challenges you to confront your limiting beliefs. With writing prompts, activities, and real-world challenges, Scare Your Soul is an interactive roadmap to building bravery.
Scare Your Soul teaches you that the greatest antidote to much of what ails you in your life isn’t achievement, it’s action. So if you crave an extraordinary life but feel like you don’t know how to take “extra” ordinary action, this book is for you.
It’s time to Scare Your Soul.
“This is an empowering and inspiring book! If you want to lead the life you’re meant to lead, this is the compass you ought to take along.”―Tal Ben-Shahar, author of international bestsellers Happier and Being Happy
“In a world that feels so dark and full of fear, this book is a lantern for the courageous way forward.”―Jennifer Pastiloff, best-selling author of On Being Human
“I used to think being fearless was enough, until I read this book. It’s a game-changer.”―Turney Duff, author of the New York Times bestseller The Buy Side
“For any wallflowers desiring to encompass boldness—this is for you.”―Janne Robinson, author and poet –This text refers to the hardcover edition.
Scott Simon is a happiness entrepreneur and founder of Scare Your Soul. He is dedicated to creating, curating, and leading opportunities for people around the world to be happier and more courageous. Scott founded the Scare Your Soul organization in 2015, organically growing it from one Facebook post to a global movement with sixty volunteer ambassadors worldwide. He has presented to groups around the world, appeared widely on TV and podcasts, given a TEDx Talk, and brought his passion for courage to retreats, a life coaching practice, and mindfulness meditations in person and online.


Author: Simon Van Booy
Reviewed by:
Claire Fullerton for The New York Journal of Books
Max Little is dying and wants to leave behind something of his life. A young writer of novels, novellas, and short stories, Max grew up in Wales, is of Pakistani descent, and now reclines in a New York hospital bed, in full acceptance of his terminal illness.
Not wanting to beg the reader’s pity, Max does what he does best by writing, and begins his straightforward narrative by marveling at the magic between reader and writer: “You do realize that by turning the page you’ve decided to follow a complete stranger down a possibly meaningless path?” he says. “Stories lead us behind the curtain of somebody else’s life into the deepest chambers of our own.” Max considers that by the time the reader puts eyes to his words, he, himself, might be absent. “None of that matters,” he assures, “because our lives are braided here and now by this sentence.” Seemingly delighted to embellish his point, Max continues, “For instance, I’m writing this in the present, and you’re reading it in the present. Except there is a gulf of time between us. I might even be dead. Yet here I am.”
In Simon Van Booy’s extraordinary novel, The Presence of Absence, each well-wrought sentence builds upon the next, taking us deeper into Max Little’s life with staggering lucidity. The first part of the story is constructed in descending numerical chapters that decline with a sense of fatalism as the narrator reconstructs his life’s highpoints interspersed with uncanny, existential observations on the business of life, death, and dying. Max confesses his mind’s innerworkings with adroit ease. “Do people ever walk around their homes, wondering which room they will die in? Whether it will be a Wednesday night or Saturday morning at the table with toast and coffee?” And “What would happen to things like knives and forks once I was gone. Would my wife keep them?”
At the center of Max Little’s concern is his wife, Hadley, and the reader is taken to their first meeting even as Max shares his ruminations on how to best tell Hadley he is dying. Pondering his plight alone on a beach, he arrives at a profound spiritual truth, when he comes to consider himself in the third person. Max posits, “When you nurture the ability to witness your life in the third person, in extremis, or through prayer or meditation, there is an unavoidable shift in consciousness as you realize that who you are is not simply how you feel—but a presence beyond desire of any sort.”
Jeremy Abrams’s mother is dying. He comes into Max’s life through the coincidence of their shared New York therapist. The men bond over the similarities in their life circumstances, and as their friendship grows, it is Jeremy who suggests that Max begin keeping the journal the reader now holds in their hands. Max writes, “You might wonder what dying people look forward to. Being visited, yes, but also being left alone—though that takes a lot of practice, managing thoughts . . . I also look forward to reassuring people it’s okay this is happening.”
In The Presence of Absence, Part Two is theatrically introduced as a quick, black scene change. The section brilliantly holds the subheading, Sotto Voce. The third person story moves forward eight years in time, and fittingly alternates between breathtaking poetry, poignant one-liners, and what miraculously transpires from the connections formed in Max Little’s absence. An insight comes at the hands of one such connection, who stands at a sink washing cups in a basin and thinks, “Like the cups draining on a tea towel, absence has a practical value in how it shapes presence.”
A mind-bending, affecting story that breaks the heart open with startling clarity, this book makes the reader want to take pen in hand to underline The Presence of Absences’ passages. That author Simon Van Booy has taken a universal subject most prefer to shy away from and creatively crafted an accessible work of high art is an unparalleled literary feat. The deft use of language in this tour de force fulfills its own mission when Van Booy summarizes, “Language is a map leading to a place not on the map.”

Simon Van Booy is the award-winning and best-selling author of nine books of fiction, and three anthologies of philosophy.
He has written for the New York Times, the Financial Times, the New York Post, NPR, Poets & Writers, and the BBC. His books have been translated into many languages and optioned for film. He lives in New York with his wife and daughter. In 2013, he founded Writers for Children, a project which helps young people build confidence in their storytelling abilities through annual awards.