A Timely Letter from F. Scott Fitzgerald

A LETTER FROM F. SCOTT FITZGERALD, QUARANTINED IN 1920 IN THE SOUTH OF FRANCE DURING THE SPANISH INFLUENZA

Dearest Rosemary,
It was a limpid dreary day, hung as in a basket from a single dull star. I thank you for your letter. Outside, I perceive what may be a collection of fallen leaves tussling against a trash can. It rings like jazz to my ears. The streets are that empty. It seems as though the bulk of the city has retreated to their quarters, rightfully so. At this time, it seems very poignant to avoid all public spaces. Even the bars, as I told Hemingway, but to that he punched me in the stomach, to which I asked if he had washed his hands. He hadn’t. He is much the denier, that one. Why, he considers the virus to be just influenza. I’m curious of his sources.
The officials have alerted us to ensure we have a month’s worth of necessities. Zelda and I have stocked up on red wine, whiskey, rum, vermouth, absinthe, white wine, sherry, gin, and lord, if we need it, brandy. Please pray for us.
You should see the square, oh, it is terrible. I weep for the damned eventualities this future brings. The long afternoons rolling forward slowly on the ever-slick bottomless highball. Z. says it’s no excuse to drink, but I just can’t seem to steady my hand. In the distance, from my brooding perch, the shoreline is cloaked in a dull haze where I can discern an unremitting penance that has been heading this way for a long, long while. And yet, amongst the cracked cloudline of an evening’s cast, I focus on a single strain of light, calling me forth to believe in a better morrow.
Faithfully yours,
F. Scott Fitzgerald

 

This is parody written by American author Nick Farriella for the humor site McSweeney’s earlier this month.

 

https:www.clairefullerton.com

Blackwood by Michael Farris Smith #Book Review.

Author Michael Farris Smith is one of those rare writers who uses language as setting. He opens his fifth novel, Blackwood, in the year 1975 with “The “foulrunning Cadillac arrived chugging into the town limits of Red Bluff, the car having struggled out of the Delta flatlands and into the Mississippi hill country, the ups and downs of the landscape pushing the roughriding vehicle beyond what was left of its capabilities.” Off the bat, the reader knows the stage is set for bad luck and hard times for the drifters come to town. Farris Smith doesn’t snow us with a glimmer of hope, he hands us the premise as a matter of fact. Then the story deepens. Blackwood is a story of loners and outsiders thrown together seemingly by chance. They’d like to connect but lack the fundamental knowledge of how, as each manages their individual vortex trying not to drown in their common sphere.

Red Bluff, Mississippi is lackluster to the point where the town gives away abandoned, downtown storefronts to anyone willing to maintain one. Colburn, haunted by his past, calls himself an industrial sculptor. He returns to the seat of his loveless childhood in his flatbed, looking for scrap metal and such to fashion into art in one of Main Street’s cast-offs. He is looking for something. He wants to confront the demons of his past, and in his search, reunites with a will-o-the-wisp bar owner named Celia, in an attraction so conflicted, it exhumes his childhood pain.

Myer wears his pantlegs tucked in his boots and walks with a limp. He is Red Bluff’s weary law enforcement who gives too little too late to the town’s drifters, who take to the kudzu tangled woods on the edge of town where something sinister lurks.

Rich in tenor, setting, metaphor, and dark imagery, Blackwood is an intricately woven, gritty story of disconnected lives unwittingly affecting each other in repercussive ways, written is language so bleakly mood-setting, reading its pages becomes a state of mind.

Many a luminous author has called Oxford, Mississippi’s Michael Farris Smith one of the best writers of his generation. And he is. And Blackwood proves it.

 

Blackwood Releases March 3rd at all book outlets

 

https:www.clairefullerton.com

Sisters of the Undertow by Johnnie Bernhard

Sisters of the Undertow is the third book by Johnnie Bernhard I’ve read, and I loved every line of it for the same reason I’ve loved Bernhard’s other books ( A Good Girl, and How We Came to Be): she’s a master of deep motivational subtext.

In Sisters of the Undertow, author Johnnie Bernhard takes the complicated underpinnings of sibling rivalry, gives it breath, and sets it to wings through the power of a seemingly ordinary story. What makes it extraordinary is that narrator Kimberly Ann has emotional baggage against her younger sister and knows it. She is cynical, jaded, and resentful to such an edge that the story is fueled by her bone marrow.

Kathy Renee is oblivious to her elder sister’s resentment. She was born to this world prematurely and shoulders the burden of life-long special needs. And yet she is disarmingly cheery, resilient, and God-fearing, giving Kimberly Ann one more reason to rail against their relationship—on top of her put-upon, self-appointed victimhood, she is simultaneously riddled with guilt.

Narrator Kimberly Ann explains it as this: “We were born sixteen months apart, of the same mother and father, yet our lives would become as different as two planets orbiting around the sun, never to fully understand each other, despite our years of circling.”

It’s one’s attitude that seals the deal of how one’s life will be experienced, and author Johnnie Bernhard depicts this principle by giving us sisters from middle-class, Houston, Texas with differing realities, in a deeply introspective story that builds in three, well-crafted parts. It takes a gifted author with the use of a subtle hand to suggest we create our own reality. We may see parts of ourselves in both sisters. We may deny it, rail against it, or see it as a vehicle to self-examination that just might encourage change.

I read Sisters of the Undertow twice, which should tell you something. There’s so much to glean from the intelligent story, told in one of the more refreshingly real, first-person voices I’ve ever read. I read it twice because—dare I say it—this fathoms-deep tour de force of riveting upmarket fiction has the double blessing of a page-turning story and the repercussion of an undertow that won’t quit.

 

https://www.clairefullerton.com

The 2020 Pulpwood Queens Girlfriend Weekend.

Friday, February 7, 2020

The Pulpwood Queens Girlfriend Weekend

By Claire Fullerton   @cfullerton3

There’s a come-down phase after an author attends a book conference—an adjustment period that has something to do with going back to the real world through the logistics of travel. My last trip back from a book related weekend involved a mini-van ride from Jefferson, Texas to Shreveport, Louisiana; a flight to Dallas; another flight to Los Angeles; and a one-hour car ride to the loving arms of my husband and three German Shepherds. Under usual circumstances, somewhere along the journey back home, I manage to switch channels, but for days after the The Pulpwood Queens Girlfriend Weekend in mid-January, the energy lingered like a good kind of hang-over.

If you’re going to get out of your daily routine and travel half-way across the country, then let it be for a three-day combined book and love fest. It’s the only way to describe the Pulpwood Queens Girlfriend Weekend, which takes place annually in Jefferson, Texas, the weekend before Martin Luther King, Jr. Day. It’s unlike any other assembly generated by the book world; different than other conferences because there are no agent pitches; no tutorials on book marketing; no instructional workshops, nor panels geared toward the how-to of writing. What makes Girlfriend Weekend unique is that it’s predicated on the 765 international book club chapters under the banner of The Pulpwood Queens and Timber Guys, who show up in Jefferson, Texas en masse, dressed in leopard-print costumes—the more outrageous, the better. They settle in for three days to listen to authors talk about whatever comes to mind, be it their books, their writing process, or how they find inspiration. That the last evening of Girlfriend Weekend is a closing-night party billed as the Big Hair Ball ( the higher the hair, the closer to God) charges the entire weekend with electrical anticipation.

There’s a visceral magic that comes from spirits colliding in a room full of people who share the same passion. It’s like a country with its own language, a secret society whose membership is granted by the simple fact that you’re there. This year’s Girl Friend Weekend was the very definition of the book community in action: authors congregating within the scrum of each other with the unified intent of fraternizing with readers, and readers in attendance because those who write books light their fire.

Have you ever stood back and watched the dynamic of a crowd when everyone in it is thrilled to be there? Dress three-hundred literary lovers up in leopard-print, balance a tiara on their heads, show them the way across the railroad tracks at the tail-end of Jefferson, Texas, and believe me, anything can and does happen. What stood out for me the most during 2020’s Girlfriend weekend was the scene between the scenes of the scheduled panel discussions. It was clear to me that authors and readers alike were there for the right reasons, which is to say they were there for the love of books. Nobody there was selling anything; working an angle; on the take; stacking their mailing-list, staging a hustle; or there “to network.” The 2020 Pulpwood Queens Girlfriend Weekend was basically a celebration of the book club’s 20-year anniversary, where authors came from all over to give from their literary hearts, so that readers received every ounce of gratitude they have for them. The atmosphere was joyous. The mood was infectious. The well-written story was honored as a high art, and the release of the 58, first-person essays in the book, The Pulpwood Queens Celebrate 20 Years, was featured to prove it.

There are photographs with this piece as it appears in Southern Writers Magazine February 7 edition of Suite T online because every picture tells a story about the Pulpwood Queens Girlfriend Weekend. Let’s just say had the convention center in Jefferson, Texas been outfitted with chandeliers, you would have seen tiara-topped women swinging from them.

Full confession here, because now it strikes me as funny: I remember packing my carry-on for Texas, thinking any interruption of my work in progress was a hassle. I obsessed over securing the four corners of my desk, so it’d be just as I left it when I returned. Don’t get me wrong.

Although I looked forward to going to Girlfriend Weekend, a part of me felt like I had to press pause on my life. Now I’m realizing that was the good news, because pressing pause on my life is precisely what happened. Summarily, I left my writer’s cave and went to the Pulpwood Queens Girlfriend Weekend and found myself rejuvenated in a jury of my peers.

TWEETABLE

The Pulpwood Queens Girlfriend Weekend Claire Fullerton (click to tweet)

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Claire Fullerton is from Memphis, TN., and now lives in Malibu, CA. Her latest book, Little Tea is in pre release on Amazon. She is the author of Mourning Dove, a Southern family saga set in the genteel side of Memphis. Mourning Dove is the 2018 Literary Classics Words on Wings award winner for Book of the Year. It is the 2018 bronze medal winner for Southern Fiction by Readers’ Favorite, a finalist in the 2018 Independent Authors Network Book of the Year, and was listed in the International Faulkner Society’s 2018 William Wisdom competition in the novel category. Claire is the author of Kindle Book Review’s 2016 award for Cultural Fiction, Dancing to an Irish Reel, and paranormal mystery, A Portal in Time. She contributed to the book, A Southern Season: Four Stories from a Front Porch Swing, with her novella, Through an Autumn Window. Her work has appeared in Southern Writers Magazine, and was listed in 2017 and 2018 in their Top Ten Short Stories of the Year. Claire’s work has appeared in The Dead Mule School of Southern Literature; Celtic Life International; The Wild Geese, and The Glorious Table. The manuscript for her next novel, Little Tea, is a finalist in the 2018 Faulkner Society’s William Wisdom competition.  She is represented by Julie

Falling up in the City of Angels by Connor Judson Garrett Book Review

Connor Garrett’s Falling Up in The City of Angels sings like a manifesto of youth seen through the eyes of one who misses nothing. It’s a travelogue through the spinning vortex of LA, written from the edge of innocence by an author whose voice is so personal, you want to reach out and hold his hand.

Fresh from college graduation, in a time when the sky is the limit, narrator Tony leaves his Georgia home with little to recommend him than his dream of being a writer. Thinking magic can happen with little in his pocket in a town where anything goes, blind optimism leads Tony from one eye-opening episode to the next as he hits all the highpoints in the City of Angels. The reader visits the Venice Canals, meets posers, and actors, and spiritual seekers; commiserates with Tony through the laws of romantic attraction, pauses at his insights on the back end.

Like a fledgling meeting chance in an odyssey of discovery, Tony’s beginner’s luck navigates west LA without a filter. He is young, resourceful, adventurous, and optimistic. He is resilient, insightful, surefooted, and not a quitter.

Falling up in the City of Angels is a fresh take on an age-old experience. It reads like a roadmap of a young man’s coming into being while avoiding the campy pitfalls of a fish-out-of-water story. With language both accessible and profoundly sophisticated, author Connor Garrett depicts the blossoming of youth in all its first-impression, awestruck wonder.

https://clairefullerton.com

Life’s Rich Tapestry by Sally Cronin

Life’s Rich Tapestry by Sally Cronin

We come to know a person’s mind through the words they speak; their personality through what they create, and their heart through what they write. Put this all together and you’ve been gifted a glimpse into an artist’s soul. This is how Life’s Rich Tapestry Woven in Words impressed me. Author Sally Cronin’s precious gem of a book is nothing short of fluid insight into all that it means to be human in a round-robin way as to address the entire sphere in bits and pieces that leave a lasting impression. These are musings delivered artfully, the perfect melding of heart, mind, and soul. In sharing her personal views, the author invites us to examine our own impressions of the day-today by shining light on life’s rich nuance. There is something profound in these meditative pages, something joyous and real that takes nothing for granted by sheer virtue of the fact that Sally Cronin has called them by name. In addressing the natural world, celebrating pets, seasons of the year, and random thoughts, Cronin speaks to the reader conversationally in such a manner that told me I’d revisit the pages. Her flash fiction, speculative fiction, and short stories are vignettes to savor—all told, this book is a work of art at its finest. All praise to author Sally Cronin, who has earned a constant and significant place in the blogging world by selflessly serving as the fulcrum of focus for so very many. That she has stepped forth by assembling and publishing this collection of letters has gifted us all with the awe-striking opportunity to see a writer’s career shine at its brightest.

Visit Sally Cronin on Word Press, Smorgasbord!

   

Tell Me a Story: My Life with Pat Conroy

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Tell Me a Story: My Life with Pat Conroy is a gift from the heart. Popular author, Cassandra King Conroy must have intuited that legions of her husband’s devotees wanted his wife to speak. Many of us had incorporated Pat Conroy into our lives. We were on an intimate level with the author who bared his soul through story, so when he died, we were blindsided. We hadn’t been given enough time to wrap our minds around a Conroyless world and were totally unprepared. So, Cassandra King Conroy stepped up. In the age-old tradition of a dyed-in-the-wool Southerner, she put her own grief aside and did for others in the only way Southerners know of: she told the entire story with endless detail and heartfelt panache. She gave us exactly what we wanted.

What strikes me about this memoir is its similarity in spirit to all things Pat Conroy wrote. Many of us heard Conroy explain the magic behind his writing by saying he wanted to explain his life to himself in hopes that readers would understand theirs. He unfurled his life on the pages in an artfully veiled manner, and it worked. In Tell Me a Story, Cassandra King Conroy removed the veil completely. With an honesty that can only be described as sheer bravery, she gave us the unvarnished truth, revealing the humanness of not only Pat, but of herself and those lucky enough to be a part of his orbit. The memoir is spellbinding, engaging, heart-tugging, and hilarious. Parts of it read like a madcap ride through a comedy of errors, for how best to describe a union forged later in life, replete with two cause and effect, complicated backstories seeking a semblance of harmony. And yet harmony was achieved, and that bird of a different feather soared. Cassandra King Conroy’s memoir is the construction of a life cobbled together by two world-class authors. It is deeply confessional and told in a voice you’ll never want to quit.

https://www.clairefullerton.com

Second Wind by Alison Henderson: Book 1 in the Cypress Coast Book Series.

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I loved every page of this exceptional book. It is action-packed, wonderfully paced, and full of gripping suspense. The story opens with 32-year-old Laurel on the run from her abusive fiance.  In a definitive move, she packs her cat in her car and hits the road from Seattle to the sanctuary of Big Sur, California, where her mother owns and operates a cliffside, vegetarian restaurant, and her two sisters live close by. But home is not an immediate sanctuary, for the truth of her fiance’s hidden life follows her to the coast and unfurls in threatening unforeseen episodes that keep the reader on the edge of their seat. Cleverly written with spot-on dialogue, the breathtaking setting of Big Sur, California and the town of Carmel-by-the-Sea as described by Henderson is much of what’s to love in this delightful story. The Monterey Peninsula is the perfect setting for the life the artistic Laurel hopes to create, but when she is met by one obstacle after another, she is unwittingly helped by a rugged FBI agent named Jake. This story is wonderfully told. I believe it will greatly appeal to all readers because it is so very engaging. It is the kind of book you’ll look forward to returning to until its climactic end. You’ll love the characters, and will feel as if you’re spending time in the expertly drawn Big Sur, California. Five Stars! I look forward to reading the next book in the Cypress Coast Book series!     

Never Sit If You Can Dance: Book Review

Who among us hasn’t said, “I could write a book about my mother!” We often say such things in jest, though the quip’s foundation is actually complimentary. We study our mothers throughout most of our lives trying to piece together the enigmatic variables that result in their particular formula. For many, it takes a lifetime, yet author Jo Giese has done just this in her delightful book, Never Sit If You Can Dance, which, as you might suspect, is a line she learned from her mother.
It is baby-boomer times, simpler times that began in innocence only to explode into the roar of changing times, and author Jo Giese is raised by a stay-at-home mom named Babe. She plans to rise above her mother’s station and believes she has actually done so until later years give her the time to pause and reflect.
It is the little things in this collection of first-person stories that weave nostalgia so touchingly and seamlessly. It is the commonplace, the every day, the mortar of life that matters, and author Jo Giese tells us why in a series of chapter heading, numbered lessons as demonstrated by her mother—“Don’t be Drab;” “Never Show Up Empty-Handed;” “Go While You Can;” and “The Happiness of Giving and Receiving Flowers” are cases in point.
A wonderfully written, quick paced gem of a book, Never Sit If You Can Dance strikes the middle ground between heartwarming and entertaining. It is an important book in that it gifts the reader with the opportunity to ponder their own mother. In the hands of any book club, there is much fodder to discuss.

An enjoyable book trailer is here: https://youtu.be/LzNj97Rs-pE

 

https://www.clairefullerton.com

The River by Starlight by Ellen Notbohm

Every well-wrought sentence in The River by Starlight is as beautiful as the Henry David Thoreau inspired title. Author Ellen Notbohm has penned a breathlessly epic, masterful story set in early 1900’s Montana in language so lyrically elevated you’ll want to commit much of it to memory but will have to get back to it later—you’ll be too busy turning the pages.
The River by Starlight is a starkly humanistic story. It’s an historical novel intimately and engagingly written in present tense concerning the sweeping life story of dark-haired and diminutive Annie Rushton, whose young marriage is permanently marred by what might be the time’s inchoate perceptions of post-partum depression. There are repercussions to Annie’s malady that propel her to leave everything behind in her home state of Iowa and hop a train to join her bachelor brother in the wilds of homesteading Montana, where she risks starting a new life. Shouldering her heartbreak, Annie applies her headstrong, fierce independence to helping her brother prosper, so when charismatic businessman Adam Fielding, a colleague of her brother’s, enters her life, theirs is a relationship forged on mutual ambition, but as the years wear on, they become two desperate souls unwittingly tossed by the unpredictable storms of life.
Life’s choices come into play, in The River by Starlight. Though Annie and Adam begin with hope and the best intentions, there is only so much one can weather in hope’s defeat by repetitious wounds that won’t heal. Through the years, communication errors and individual judgement calls are made that usher in divergent aims, and all the while is the roiling concern of Annie’s mercurial sanity.
Resiliency, perseverance, love of one’s children, and where to appropriately place one’s pledge are threads that weave the tapestry of this thoroughly realized story, whose themes, I believe, are timeless and universal.
The River by Starlight is a book for the ages. In my mind, it stands with the classics. The novel’s voice and three-part pacing are seamlessly crafted; its tone and mood are deep and oftentimes heart wrenching, so much so that the reader can’t help but be lured by emotional investment in characters so viscerally drawn they come to life on the pages.
The River by Starlight is for those discerning readers who demand excellence in language, craft, and story. It is a plausible, finely researched, resonant book ultimately about the taming of the spirit, set in tumultuous, untamed times.

 

https:www.clairefullerton.com