A Week of Zoom Meetings for Little Tea

When your publisher finally gives you the release date for your novel, you start planning. You’ve been through multiple rounds of edits, decided on the book cover, have the book’s final PDF, ordered the advance review copies in print, devised a list of to whom the ARC will be sent after emailing those in the media asking for permission to send, created a folder on your computer delineating with whom you’re in correspondence,  contacted book-bloggers, and organized a schedule on social media that walks the fine line of pre-release promotion and too much grandstanding, and, in my case, created a book tour that involves travelling to the Deep South from California.

I had my book tour for Little Tea planned so seamlessly, even I was impressed. I’d leave for Memphis on June 14 and stay in the Mid-South for ten days. I knew where I was going to stay, had scheduled a rented car for pick-up, an itinerary that included nine events, and embraced the logistics of running from pillar to post because it was going to be worth it. I’ve always said the best way to promote a book is to show up in person. Memphis is a long way from Malibu, but I grew up there, Little Tea is set in the region, people know me in Memphis, and the way I saw it, hustling down there would be a wise move. I did this on a small scale with my third novel, Mourning Dove, and it went so well, I figured I’d widen the parameters with Little Tea to include Lemuria Book Store in Jackson, Mississippi, and the Blytheville Book Company in Blytheville, Arkansas. The planning for Little Tea’s book tour took weeks, but I was all set to go!

Then the pandemic hit, and for months, I waited for the jury to come in on how big the impact would be. It seemed many of my scheduled tour stops held onto hope until its last gasping breath before they conceded defeat.

In stages, venues that had never thought about restructuring their business operation found a way around closing their doors. Book stores started curb-side service, looked at their in-store author event schedule and decided to hold the events via Zoom. Then libraries got on board, as did radio and TV stations. It took a while for everyone to adjust to the new normal, but by Little Tea’s May 1st release date, everyone had switched to Plan B.

I spent a week canceling everything that had gone into my trip and emailing back and forth with my book tour hosts about how to proceed. The result is that I never left my office. My husband, as luck has it, is an audio engineer and knows his way around sound and lighting.

Last week, I did my Little Tea book tour virtually, and I had a blast.

I prepared by drawing the curtains to a close behind my desk, which I hadn’t done once, in all my years of living by the ocean in Malibu, California. I had to clip them together so my desk’s monitor could see me. The overhead lighting above my desk was muted, a lamp was staged behind my 27 inch monitor, and a scarf was wrapped around the shade of my standing desk lamp. My monitor doesn’t have a microphone, but my laptop does, so I steadied it on a stack of books until the devise was close to eye-level. I replaced the wheeled swivel chair before my desk with the hardback chair from my husband’s office. Because I wanted what would appear behind me on-camera to look pretty, I put my mask on, drove down the road, and came home with this:

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Here is how my office lighting turned out, as photographed as a screen-shot of my laptop:

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My first Zoom meeting was with The Memphis Public Library. Fourteen avid readers joined and the meeting lasted for an hour. I did a thirty minute presentation concerning Little Tea’s premise, characters, and setting, along with how I arrived at the book’s idea. A question and answer exchange ensued next, which, for me, was the best part.

Another Zoom meeting was with WREG TV’s Live at 9 morning show with Memphis’s beloved Marybeth Conley. Let me say that 9 AM Memphis time translates to 7:00 AM in California, but the early rise was worth it!

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Later that day, I had the best time, ever, as the guest of Memphis’s iconic broadcaster, Earle Farrell. We had so much fun naming our mutual acquaintances that talking about Little Tea took a back seat! Earle Farrell has had an illustrious career in media. He’s worn every shoe from reporter to anchor, and his Earle Farrell 4 Memphis show has the benefit of Facebook streaming.

Earl Farrell Show

I met with book clubs last week and was thrilled Last Sunday, when a Memphis friend texted me this, which kicked off the week with high-coverage of my local Zoom appearances.

Commercial Appeal Little Tea

 

The highlight of my week was a sold-out author webinar, hosted by the wildly popular Novel Book Store and moderated by fellow author, Susan Cushman, who did a first-rate job asking me questions and fielding reader’s comments. Susan Cushman is an adored author in South, and that she agreed to moderate the event was a gift beyond reason. For one author to interview another guarantees all bases will be covered! I cannot thank Susan Cushman and Novel Book Store enough. 100 attendees joined and the experience exceeded my expectations.

Susan Cushman and me at Novel

I have a few more Zoom meetings schedule before my Little Tea tour concludes. The great thing about doing a Zoom event is that those who missed it can watch it at their convenience on my YouTube Channel, which can be found by going to YouTube and typing in Claire Fullerton!

YouTube Screen Shot

All told, it was a great week, and although the pandemic precluded in-person appearances, I am infinitely grateful to all who made adjustments and accommodated my schedule.

Isn’t technology wonderful?

 

https://www.clairefullerton.com

Just Released: The Flying Cutterbucks by Kathleen Rodgers.

Kathleen Rodgers’ The Flying Cutterbucks is a wonderfully unusual, romp of a realistic ride through the tension of a presidential election. Author Kathleen Rodgers takes a firm stance and keeps it real with well-drawn women characters you won’t soon forget. Memories unfold, the past haunts and ghosts are laid to rest in this intricately woven story set on the outskirts of Pardon, New Mexico to such a nuanced degree that you’ll feel as if you’re there. A celebration of strong, resilient female characters, The Flying Cutterbucks roared onto my Kindle device and kept me riveted.

Beach party

Book Description: Decades ago, Trudy, Georgia, and Aunt Star formed a code of silence to protect each other from an abusive man who terrorized their family. One act of solidarity long ago lives with them still. With the election of a president who brags about groping women without their consent, old wounds and deep secrets come alive again, forcing hard truths to be told and even harder truths to be left to the dead.

On the outskirts of Pardon, New Mexico, Trudy returns to her mother, Jewel, to navigate an old house filled with haunting mementos of her father who went missing in action over North Vietnam. As she helps her mother sift through the memories and finally lay her father to rest, Trudy will do her own soul searching to say goodbye to the dead, and find her way along with the other women in her family, and through the next election.

About the Author: Born and raised in Clovis, New Mexico, Kathleen M. Rodgers is a novelist whose stories and essays have appeared in Family Circle Magazine, Military Times, and in anthologies published by McGraw-Hill, University of Nebraska Press/Potomac Books, Health Communications, Inc., AMG Publishers, and Press 53. 

Seven Wings to Glory, Rodgers’ third novel, deals with racism and war and won an Honorable Mention for War & Military in the 2017 Foreword Indies Book of the Year Awards and was shortlisted for the 2017 Somerset Awards. Her second novel, Johnnie Come Lately, has garnered multiple awards, including the 2015 Gold Medal for literary fiction from Military Writers Society of America. 

Rodgers is also the author of the award-winning novel, The Final Salute, featured in USA Today, The Associated Press, and Military Times.

She and her husband, Tom, a retired USAF fighter pilot/commercial airline pilot, reside in a suburb of North Texas with two rescue dogs. After raising two sons, she  became a grandmother and is at  work on her fifth novel.

https://kathleenmrodgers.com/

 

Musing

Here on the west end of Malibu, I spend most of my days writing. I’ve been at a particular pitch for twelve years or so, and what I’ve come to realize is, if a writer stays with it consistently, they’ll realize they’ve created a lifestyle that feels like a spinning wheel whose spokes include the writing of a book, the book’s pre-release promotion,  post-release promotion, oftentimes travel to book events, and all the while, a work-in-progress that perpetuates the cycle.

I discovered long ago that balance is key to being a writer. I don’t think it’s healthy to spend too much time at my desk. I’m in the habit of stringing three or four hours in front of my computer then going outside to walk around, see if the sun is shining, put Groove Music on my headphones, and walk to the beach to watch the surfers. A little air and movement always does me good.

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But it’s amazing what can happen from the simple act of walking outside while taking a break from my desk. Last week, it was this: WP_20200524_10_12_55_Pro

An egret walked around our backyard. It’s been seven days since this majestic bird appeared, and it shows no enthusiasm toward leaving. The Malibu terrain this time of year is hot and dry, and that means the prevalence of lizards, which, I suspect, is the egret’s draw.

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Egret Front Door

As you can see from the above photograph, the egret has made itself quite at home. Even our female, German shepherd, Ceili has grown used to it, though this isn’t always the case, especially when our other two shepherds are involved.

Here are Ceili, Ronin, and our 9-month-old puppy, Sorcha: three German shepherds with Irish names.

February

When it comes to seeking balance in my writing life, the environment I live in, and those that populate it give me a sense of balance.

I’m like may writers. I live on a wheel that constantly spins. It suits me, this combination of creativity, dedication, and purpose. Being a novelist is a fulltime job with no “there” to get to, only the commitment and perseverance it takes to stay on the path. As for the outcome of each book, beyond doing the very best I can do, it’s not my business. My business is to enjoy the process. I am grateful beyond measure when anything comes from one of my books, but it’s enough to enjoy the quality of my days; that I am spending time the way I like to, building something that matters to me, then walking outside to see what’s happening.

 

https://clairefullerton.com

 

Postcards and Authors

Every so often, I come across a website that champions authors with glittering flair. Postcards and Authors is such a place and Anita, the woman behind the magic, is wonderful! She has a wide reputation with good reason for championing authors. What an author does is send in a postcard with an image that pertains either to where they live or telling of their book. Authors from all over the globe enter and Anita showcases their postcard and goes to wonderful lengths to feature their work.

I wanted to share this site and information with my fellow authors. Take a look at the links below that send you to the site and direct you on how to submit!

I hope to see many on Postcards and Authors!

Here is my feature that was posted yesterday!
Claire Fullerton was a recent guest on LA Talk Radio – The Writer’s Block to discuss her new novel, Little Tea. Midway the conversation, her host asked, “When you write, who controls the book, you or your characters?” The presumed answer was the characters. However, Claire, whose previous career was on-air in music radio, answered, “I confess I must be a control freak because I think I’m runnin’ the show. Nobody’s taking over my book, including who I’m writin’ about.”
Claire Fullerton has always considered herself a southerner, though born in Wayzata, Minnesota, and currently living in Malibu, California. When she was ten, her family moved to Memphis, Tennessee. It was where Claire innately watched people and absorbed the music of prolific musicians who flocked to experience the city’s aura and recording opportunities. All the while, Claire was sharpening her writer’s eye. She considers Memphis the last romantic culture on earth.
However, like much of the country, Memphis was experiencing social and cultural changes, and Claire Fullerton was witnessing and taking it in, including the fight for racial equality. It would be some of those memories that she injected into Little Tea.
The story begins with a girls’ getaway at a lake house in Heber Springs, Arkansas. Celia, Renny, and Ava, friends since childhood, meet to support Ava, who is having marital problems; however, before the three-day stay is over, Celia will be confronted with demons from her past.
When the time shifts in the novel, there is Little Tea (Thelonia), the daughter in a black family. Her mother is a maid, her father, a foreman, both for the white Wakefield family’s Como, Mississippi cotton farm in the 1980s – Celia’s family. The girls are ten-year-old friends who play together and are often joined by Hayward, Celia’s brother. Innocent and naive, this works well for the three of them, but they grow up… and people have opinions. The past and present come together with Little Tea at the core.
Reviews for Little Tea give an enticing glimpse into the story. Readers are awed by Claire Fullerton’s ability to interpret and depict southern characters in settings that epitomize the beauty of the terrain. Her previous multi-award winning novel, Mourning Dove, is also about a southern family set in Memphis, Tennessee. Excerpts and reviews for all of Claire’s books are on her website.
Visit Claire’s social media and sign up for her newsletter. (Scroll down for the links.) You’ll not only see great pictures of her writer’s life, but her three big German Shepard dogs, too!
Claire, Malibu seems a nice place to land after living in other cities in the U.S and abroad. Like you, I believe I can have an extra dose of inspiration with a daily ocean view! Maybe I’ll get to Malibu on my next California trip (being optimistic). It’s been a looong time since I’ve been to The Golden State. Thank you for the postcard. 🙂
~Anita~

How to Participate and Submit: https://postcardsandauthors.com/participate/

And here is the website! https://postcardsandauthors.com/

 

 

 

 

Gratitude to the WordPress Book Bloggers

I’d like to adequately express how much the WordPress book blogging community means to me, so suffer me while I warm up to it. I readily admit I’m the long-winded sort, even when I have an important point.

In this day and age of social media at the center of an author’s career, there is much to reconcile, and there are times I wrestle with keeping a proper perspective. On the one hand–and you’d think this to meet me in person–I  am ridiculously extroverted; I have what author, Pat Conroy, labeled the “Southern sickness” of assuming everyone I meet is my best friend, yet on the other, I am intensely private. I don’t like showcasing myself because it feels like grandstanding, and quite frankly I’m not impressed with myself to the point that I think I have anything of significance going over any other writer. We are all of us playing a long-game, making our own way in our chosen field. But sometimes it seems that one has to have an elevated sense of oneself in order to promote one’s work as an author. There’s a fine line these days, and it’s the one thing I didn’t realize going into “being” a writer. I’m probably like many people in their 50’s. We were the generation who woke up one day to discover the entire world was online and all over social media. When that realization dawned on me, it was a major hustle to catch up.

Then there is the concern of reconciling novel-writing as art and publishing a novel as a business. Once upon a time–as little as twenty years ago–authors wrote books and turned them over to their publishing house to promote. If they had an audience to justify a book tour, the publisher paid for an author to travel from book store to library to book club to meet readers in person. This is still done, but on a small, discerning scale primarily intended for authors who have wide name recognition. As for authors with a small or independent press, when it comes to a book tour, it’s all out of pocket because they’re essentially on their own.  Because book publishing options have opened up and there are now thousands upon thousands of authors in the race, the effort is geared toward keeping abreast of the tide and waving one’s hand above the noise. What’s more, in this day and age, the lion’s share of promotion falls to the author and is not only about promoting a book; authors have to promote themselves.

I’ve been torn over this for a while, now. I’ve limited myself in self-promotion by only going so far. I’ll take the opportunity here to add to Conroy’s definition of Southern sickness: friendly as we are, Southerners are an unflashy lot given to personal discretion. Too much going on about oneself is succinctly considered bad form.

I see it all on social media. People post all sorts of personal information from their family to their lifestyle to their political views. I’m not passing judgment, just making an observation, but I do know that too much online, personal information can put one in a vulnerable position and lead to an unintended consequence. It’s the downside of social media and it’s a struggle to strike a manageable balance.

So, how does an author effectively promote their book while striking a healthy balance? And whom should an author trust?

Which brings me to another consideration: There are the legions of online, profiteering book promotion businesses that have cropped up as a result of the book publishing boom. It’s staggering to me and hard to wade through the miasma to discern who is and is not reputable, while an author is hustling for literary recognition and book reviews. Authors need exposure for their releases, but who to choose within a reasonable budget?

Which brings me around to the WordPress book blogging community ( I told you I’d work my way to my point.)

I am humbled and proud to have aligned with the book bloggers here. I believe the book bloggers I’ve met on WordPress are as fine as they come. I stand in awe of Sally Cronin of Smorgasbord. Through Sally, I’ve met Olga Nunez, Michelle James, Robbie Cheadle, Teagan Geneviene, Rosie Amber,  DG Kaye, and Chris the Story Reading Ape to name but a few. I stand in awe of each bloggers’ deft handling of content, organizational skills, dedication, professionalism, and magnanimous spirit. I recognize you all as passionate people involved in the book world for all the right reasons. Your impact upon many authors’ careers is nothing short of significant.

At long last, here is my point:

I thank each of you who has featured my books on your blog for including me in your esteemed fold. Your support of my career is a force that sustains me, and I remain so very grateful.

https:www.clairefullerton.com

 

 

 

 

 

 

 

Where I Find Inspiration

May 1, 2020 | By Claire Fullerton
I was recently asked the following question in an interview: “As a writer, where do you go to find inspiration?” The interviewer cited the habit of Charles Dickens, who took to the streets of London every day in a five to six-mile stroll while looking for source material. I love the evocative image of this world-renowned writer cruising through London, his eyes darting as he tallied impressions, experiencing the common place of that city, taking mental notes.
Because I wanted to answer the question to the best of my ability, I visualized myself in Dickens’ place and pondered what he was really doing. I realized it wasn’t so much where he was as it was that he had his eyes open. The way I considered it, Dickens allowed himself to be influenced, and this is key for writers. The most seemingly inconsequential things can affect a writer, and by this I mean strike an emotional chord. That it typically happens in the blink of an eye doesn’t make it any less meaningful.
In the essay, Honeymoon: The Romance of Umbria, by Pat Conroy, which appears in The Pat Conroy Cookbook, Conroy writes of catching himself writing in his head instead of living in the moment as he stood inspired by an Umbrian sunset. With regard to writers, I believe this is a common habit. It’s a particular way of being in the world and at the heart of it is the desire to communicate coupled with love of language.
There might be shades of the longing to be understood, but I think it’s more a labor of love to help readers understand the world. After all, a writer’s task is to articulate, to put their impressions into words along with what they think and feel through the power of story.
I’ve heard it said that artists view the world through with a peculiar, particular lens.
They have the ability to engage with the world from the outside looking in, to be in it but not of it, stand apart in the middle of a crowd and act as witness. To many artists, this ability is a calling, be it acting, painting, dancing, or writing. In my opinion, writers are the archivists of the world, the interpreters of life who record events and impressions and are driven by the need to share their gift.
And yes, it all starts with finding inspiration, yet inspiration doesn’t so much reside without as it does within. The trick is to keep wide-eyed and aware as one goes about their days, to grab hold of inspiration’s cord once it’s struck and hang on until it resonates. Inspiration doesn’t have so much to do with location as it does the ability to access what’s within once it’s triggered. When it comes to writing, inspiration is a prompting that travels from the spirit of a writer to a blank page and results in a painstaking commitment to work built on hope and blind faith that it’s worth sharing.
In answer to that interviewer’s question of where I go to find inspiration, I tried my best to articulate my experience. I said rather than cite a locale, I can share what I do when inspired, and it has everything to do with discipline. I can be anywhere doing anything when inspiration comes from sight, sound, thought, mood or feeling. To me it’s all about listening to the voice within. The discipline starts with finding a pen

For Release news of my novel, Little Tea, the rest of this post continues here: http://booksbywomen.org/where-i-find-inspiration/

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Little Tea’s Universal Link:  https://books2read.com/u/3nvz0R
Claire Fullerton hails from Memphis, TN. and now lives in Malibu, CA. with her husband and 3 German shepherds. She is the author of Mourning Dove, a coming of age, Southern family saga set in 1970’s Memphis. Mourning Dove is a five-time award winner, including the Literary Classics Words on Wings for Book of the Year, and the Ippy Award silver medal in regional fiction ( Southeast.) Claire is also the author of Dancing to an Irish Reel, a Kindle Book Review and Readers’ Favorite award winner that is set on the west coast of Ireland, where she once lived. Claire’s first novel is a paranormal mystery set in two time periods titled, A Portal in Time, set in Carmel-by-the-Sea, California. She is a contributor to the book, A Southern Season with her novella, Through an Autumn Window, set at a Memphis funeral ( because something always goes wrong at a Southern funeral.) Little Tea is Claire’s 4th novel and is set in the Deep South. It is the story of the bonds of female friendship, healing the past, and outdated racial relations. Little Tea is the August selection of the Pulpwood Queens, a Faulkner Society finalist in the William Wisdom international competition, and a finalist in the Chanticleer Review’s Somerset award. She is represented by Julie Gwinn of the Seymour Literary

Follow her on Twitter @cfullerton3
Find out more about her on her website https://www.clairefullerton.com/

As Published on:

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The Boatman and Other Stories by Billy O’Callaghan

 

It’s daunting to think that no matter how I review this exceptional collection of short stories by Billy O’Callaghan, I will never adequately express my full sentiments, for how to articulate that O’Callaghan is simply the best writer I’ve come across in ages? His short stories are a treatise on the human experience, the impressionable psyche, the vulnerable human heart. He crafts his stories with the fluidity of a wave that builds slowly, crests, then turns in on itself after enveloping sight and sight unseen. To read The Boatman and Other Stories is to read a master at his craft. You’ll be swept away by the rich detail and nuance of commonplace in the hands of this powerful storyteller. I cannot recommend this collection hardily enough. Read it, treasure it, then do as I did and put it in pride of place on your bookshelf.

https://amzn.to/3f1IiaZ

Billy O'Callagahn

Billy O’Callaghan was born in Cork in 1974, and is the author of three short story collections: In Exile (2008, Mercier Press), In Too Deep (2009, Mercier Press), and The Things We Lose, The Things We Leave Behind (2013, New Island Books, winner of a 2013 Bord Gáis Energy Irish Book Award and selected as Cork’s One City, One Book for 2017), as well as the bestselling novel The Dead House (2017, Brandon/O’Brien Press and 2018, Arcade/Skyhorse (USA)).
His latest novel, My Coney Island Baby, was published by Jonathan Cape (and Harper in the U.S.) in January 2019 to much acclaim. Read more about it on the Books page.
Billy’s latest short story collection, The Boatman and Other Stories was released in January 2020 and released in the U.S. on April 28.
Billy is the winner of a Bord Gáis Energy Irish Book Award for the short story, and twice a recipient of the Arts Council of Ireland’s Bursary Award for Literature. Among numerous other honors, his story, The Boatman, was a finalist for the 2016 Costa Short Story Award, and more than a hundred of his stories have appeared or are forthcoming in literary journals and magazines around the world, including Absinthe: New European Writing, Agni, the Bellevue Literary Review, the Chattahoochee Review, Confrontation, The Fiddlehead, Hayden’s Ferry Review, the Kenyon Review, the Kyoto Journal, the London Magazine, the Los Angeles Review, Narrative, Ploughshares, Salamander, and the Saturday Evening Post.

 

https://amzn.to/3f1IiaZ

https://amzn.to/3f1IiaZ

I read O’Callaghans short story, A Death in the Family, which is included in The Boatman and Other Stories when the prestigious Ploughshares published it as a Kindle solo, here https://amzn.to/2xnqma2

A Death in the Family

I reviewed A Death in the Family by writing:

It is such a gift that Ploughshares avails this short story here on Amazon. I cannot recommend this story enough, for I consider Billy O’Callaghan the most important literary figure to arrive on the scene in ages. O’Callaghan can take any simple premise and infuse it with deep-seated, soul-stirring insight, and A Death in the Family is just such an example. His use of language is so personal that it shows us our own humanity, in this evocative, finely wrought story. Read this story and be lulled by O’Callaghan’s laser-sharp gift of Irish nuance, character, and place. And when you’ve finished, do yourself a favor and read his debut novel, The Dead House.

Here is my favorite quote on O’Callaghan’s writing:

“I know of no writer on either side of the Atlantic who is better at exploring the human spirit under assault than Billy O’Callaghan.”—Robert Olen Butler

You can read about this world-class author, here:

https://billyocallaghan.ie/en/biography/

 

Southern Family Saga, Mourning Dove

As I count the days to the release of Little Tea, lo and behold, this review of my last novel, Mourning Dove was just sent to me by the Chanticleer Reviews. Thought I’d share it here.

Chanticleer Book Reviews & Media

Camille Crossan appears to be living an idyllic life in Claire Fullerton poignant, evocative novel, MOURNING DOVE. Living in a superbly appointed mansion in “magnolia-lined and manicured” Memphis during the 1960s and 1970s, Camille’s family life shimmers with Southern charm. Beautifully penned #SouthernNovels with all the trimmings. One of our favorites. Highly recommended. #SouthernLiterature #PulpwoodQueens #CIBAs

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Review:

Camille Crossan appears to be living an idyllic life in Claire Fullerton’s poignant, evocative novel, Mourning Dove. Living in a superbly appointed mansion in “magnolia-lined and manicured” Memphis during the 1960s and 1970s, Camille’s family life shimmers with Southern charm. Her mother, Posey, usually outfitted in a Lily Pulitzer shift, Pappagallo shoes, and a signature shade of pink lipstick, is a beauty with the wryest sense of humor and steel determination.
As a young girl, Camille, known as Millie, sees how those in her mother’s social orbit are captivated by her aura, how men are easily seduced by her flirtatious charm. Society is a game played by those who know its rules, and Posey means to win. Every time. She, however, isn’t even the charismatic one in the family – that’s Finley, Millie’s older brother, who brims with intelligence, startling good looks, and messianic magnetism. A peek beneath the shiny surface of gracious Southern living, however, reveals enormous cracks in the foundation of the Crossan family. One of the first things the adult Millie tells us about her brother is that he is dead. She takes the reader back, though, to their childhood and coming of age, a tumultuous journey that both binds and separates the siblings.
During her first decade, Millie’s family was living in Minneapolis with her tender-hearted, intellectual father who succumbed to alcoholism. Loss of money and, worse, the accompanying loss of social status, motivates Posey to uproot her children and move them to her childhood home in Memphis, a palatial mansion filled with antiques and portraits of forebears. It’s a volatile time, inside and outside the house, as centuries-old Southern traditions clash with the youth counterculture.
Millie watches as her mother holds court during daily cocktail hours, a prospective second husband soon on the reel, and Finley, a gifted guitarist, plunges into the local music scene. But what role will she play? It’s difficult for her to see herself entirely separate from her brother for whom she has, “…a love devoid of envy, tied up in shared survival and my inability to see myself as anything more than the larger-than-life Finley’s little sister.” Millie will grapple with her identity and question her destiny, whether she’ll be a bride in the Southern belle mode of her mother or if she’ll be the blossom that falls far from the magnolia tree. Meanwhile, Finley’s charisma both explodes and implodes in shocking and dangerous ways as he becomes revered by a group of people with no connection to the gentrified life. Like Millie, the reader is transfixed and apprehensive about where this less-traveled road will take Finley. Although the reader knows his grim fate from the outset of the book, his storyline is so engrossing that no drama is lost.
Author, Claire Fullerton, is an enchantress with prose. The writing in this novel will cause you to stop, reread sentences, savor them, and note their architecture. Scenes sparkle as she masterfully summons moods and atmosphere. The reader can see Millie’s lovely but haunting home, and smell the rich fragrance of dogwood on a soft spring day. Fullerton has a keen ear for witty, authentic dialogue, and she deftly reveals much about personalities via conversation. It’s difficult to take leave of such a vivid, fully realized world. Fortunately for readers, Fullerton has written several books, opportunities to spend more time in her richly crafted worlds.

 

https://www.clairefullerton.com

 

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Universal link for Little Tea:  https://books2read.com/u/3nvz0R

 

 

Outbound Train by Renea Winchester

Congratulations to Renea Winchester! Today is release-day of her wonderful novel, Outbound Train, a novel with such visceral, Southern nuance and depth; the characters seem to embody the rural South.

In 1976, memories from a night near the railroad tracks, sixteen years earlier, haunt Barbara Parker. She wrestles with past demons every night, then wakes to the train’s five-thirty whistle. Exhausted and dreading the day, she keeps her hands busy working in Bryson City’s textile plant, known as the “blue jean plant,” all the while worrying about her teenage daughter, Carole Anne. The whistle of the train, the hum of those machines, and the struggle to survive drives Barbara. When an unexpected layoff creates a financial emergency, the desperate pressure of poverty is overwhelming.
Unbeknownst to Barbara, Carole Anne sneaks out at night to walk the tracks so she can work at Hubert’s Bar. She’s hoarding money with plans to drive her mother’s rusty, unused Oldsmobile out of Bryson City, and never return. She only needs one opportunity … if she can just find it.
When Carole Anne goes missing, Barbara finds herself at a crossroad—she must put aside old memories and past hurts to rely on a classmate for help finding her daughter. But this is the same man she blames for the incident years ago. Is she strong enough—or desperate enough—to do anything to keep her daughter safe?
In Outbound Train, the Parker women struggle to make frayed ends meet in a town where they never quite do … at least, not without expert weaving and a bit of brute force.
I read the ARC of Outbound Train and recommend this gorgeously written, starkly real Southern set story that will play on your heartstrings all the way through. Author Renea Winchester writes with a clear-sighted, compassionate eye about women in hard times. They are the blue-collar, Parker women, one haunted by her past; the other, her daughter, who plans to escape the poverty of Bryson City, North Carolina at any cost. With twists and turns and secrets that come full-circle, Outbound Train is an engaging story, Southern to its core in setting and character, and captivating to its last page.

Here is my favorite photograph of Renea with her goat!

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I asked Renea Winchester the following questions about Outbound Train.

Q: Are any characters based on or named after friends? If so, have you told them?

Full disclosure, the character Doretta is a combination of Loretta Hannon, the funniest woman in the South, and my sister, Doretta McCammon. Both of these ladies are unpredictable, fearless, and funny as all get out. There’s a reason we live so far apart because together we have entirely too much fun. Secretly Carole Anne wants to be like Doretta. She covets Doretta’s life, her house, and the freedom Doretta has. However, Doretta wishes she were more like Carole Anne. I haven’t told my friends that I based my character on them, until now.
Q: Did you write outside? Do you have a soundtrack?
What an excellent question. I have carried this novel with me, in written form, for years. Jotting down notes, scenes, and sometimes a single saying in notebooks, receipts and napkins whenever a character whispers in my ear. I do not have a soundtrack. Music is a big part of my life, but I find it distracting when writing.

Q: How did you capture the ideas as they came to you?
I write everything by hand because, for me, the first draft comes easier through the tip of a pen. While writing Outbound Train, I voiced to my dear friend, Terry Kay, the troubles I had with a particularly elusive character. The scene simply would not flow no matter how hard I tried to manipulate the story. Terry, in his wisdom, said, “Now dear, you cannot chase characters down the hall. You cannot force them to do your bidding. You are not in control. They are in control. You have two jobs. Observe your characters and write what you observe. Pondering his words, I realized he was correct. The next day I put his advice into action and finished the scene.

Q. You wrote about secrets. Can you tell us a little about the cause and effects of secrets in the story?
Both Barbara and Carole Anne have secrets. Barbara won’t reveal the name of Carole Anne’s father, so young Carole Anne – who is hungry for a positive male role model-picks her own; except the person she picks is a man her mother blames for a traumatic event from her childhood. Carole Anne has had her fill of poverty. She wishes to escape, by any means necessary, even when it means taking a job that breaks the law. A job that ultimately leads to her kidnapping.
I think we all have secrets. Whether we are hiding a past trauma, or hunger for something more in life, I believe the secrets we carry motivates us to change.

Q: Was the North Carolina setting important to the story?
During the first draft, I set Outbound Train in a fictionalized town, but it felt disingenuous. I knew readers couldn’t connect with the characters without experiencing what we call a “sense of place.” Honestly, the story lacked heart. I simply could not convey the emotion necessary to touch readers unless I set the story in my hometown. I needed readers to walk the rails with Carole Anne, and hear the hum of sewing machines inside the textile mill. I needed to show them this part of Bryson City because the setting made me who I am today. In order to honor the women who raised me, the setting needed to be real. The same is happening with The Mountains Remember, my work in progress. The story occurs on Indian Creek, in the community where my people once lived before being displaced to form the National Park.

Here’s what others say about Outbound Train:
“Renea Winchester’s storytelling is as real and authentically Southern as the clear water music of an Appalachian creek and the song of Cicadas on a front porch summer evening.” ~ Lisa Wingate,
#1 New York Times Bestselling author of Before We Were Yours and Before and After.

“I fell in love with the smart, strong, funny characters in this community of make-do women, and I predict you will, too.” ~ Pamela Duncan, Author of Plant Life

“With pitch-perfect dialogue and believable characters, Winchester has crafted a story that will make readers stand up and cheer.” ~Michael Morris, Man in the Blue Moon, A Place Called Wiregrass

Renea was born and raised in Bryson City, North Carolina. She began her writing career in Georgia where she penned several non-fiction works including Farming, Friends & Fried Bologna Sandwiches which was nominated for the prestigious SIBA award, earned Renea a nomination for Georgia Author of the Year, and received the endorsement from The Pulpwood Queens, the largest book club in the country. After winning the Wilma Dykeman Award for Essay and the Appalachian Writer’s Award, Renea focused on transitioning to fiction. Renea has served on the Atlanta Writers Board, Georgia Writers Association, and judges multiple literary awards. In April 2020, Firefly Southern Fiction released Outbound Train. Set in her hometown of Bryson City, North Carolina, in 1976, Outbound Train is a triumphant story of perseverance and hope despite the harshness of poverty. Renea is passionate about literacy, Appalachian Heritage, preserving rare seeds, cultivating endangered plants and meeting new friends. Outbound Train is her debut Novel. Contact Renea through her Facebook Page https://www.facebook.com/Renea-Winchester-Author-162590877104288/

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~Outbound Train releases today. It’s available at your favorite book store as well as book sellers online.
You can find Renea Winchester of WordPress ~ https://reneawinchester.wordpress.com/

In Praise of Independent Book Stores

There’s nothing like times of disconnection to get you thinking about connections.

With worldwide activity essentially on pause, you’d think it’d be optimistic to take advantage of downtime. Typically, in the middle of the day, I’m at my desk working on something. Right now, I could be investing in my own long game, using time productively, filling in this unscheduled time with my self-appointed curriculum geared toward my May book release, or something along those lines.

Instead, I’m sitting outside holding Taylor Brown’s new book, Pride of Eden and thinking about connections. It’s 2:00 in the afternoon in Malibu, California. 75 degrees and the sun is shining through cirrus clouds with the ocean breeze just enough to make sitting outside pleasurable.

I can’t recall the last time I sat outside reading a book in the middle of the day. There’s a shade of guilt involved, but rather than calling it playing hooky, I’ll call it a guilty pleasure. I’ve never met Taylor Brown. I haven’t read the four books he wrote before Pride of Eden came out five days ago, but I got on board because of connections—the first being that this author posted a video of himself on Instagram, standing before pink, flowering shrubbery wearing a black mustache and beard, his baseball cap shading his black-framed glasses, his blue jean vest unbuttoned over his black t-shirt. When I pressed play, his Southern accent sprang like music to my ears, for I’ve been long in the wilds of California, and whenever I hear my own tongue, it sings like a siren call. I next did what any Southern author would do, upon realizing they’re egregiously unfamiliar with one of their own: I went straight to Taylor Brown’s website, unsurprised to learn we have people in common, authors Michael Farris Smith and Patti Callahan Henry to name just two.

The beginning of Pride of Eden’s book description reads: “Retired racehorse jockey and Vietnam veteran Anse Caulfield rescues exotic big cats, elephants, and other creatures for Little Eden, a wildlife sanctuary near the abandoned ruins of a failed development on the Georgia coast. But when Anse’s prized lion escapes, he becomes obsessed with replacing her—even if the means of rescue aren’t exactly legal.” Here’s what grabbed me about the back cover of Pride of Eden: Author Ron Rash writes: “Pride of Eden is a beautifully written, visionary novel of scarred souls seeking redemption not only for themselves but, in their limited way, for us all. Taylor Brown is clearly one of the best American writers of his generation.”

Let’s just say when Ron Rash speaks, I listen.

But back to connections during this disconnected downtime, and here’s where I show my true colors as a transplanted Memphian living in Southern California ( which natives call SoCal, but I digress.) Because the most salient characteristic of all Southerners is loyalty, I picked up the phone and called Novel Book Store in Memphis and ordered Taylor Brown’s book to be shipped to me “out here.” Believe me, if I’m going to buy a book, hometown girl is going to give hometown the business. But then I started thinking about Memphis’s other independent bookstore, Burke’s Books, and that fine figure of an erudite man, Corey Mesler, who not only owns Burke’s Book Store but recently had his novel, Camel’s Bastard Son, published by Cabal Books, which I’m itching to read. Two beats after calling Novel Book Store, I called Burke’s Book Store and ordered Camel’s Bastard Son, with the latest from John Grisham for good measure. Now, I’m thinking the good thing about Southern loyalty is that it’s not divided.

In this time of disconnection, I think it’s only reasonable to honor one’s connections, and the connections I’m thinking of now are those I have with independent bookstores. At the moment, they may not be immediately accessible, but I want to do my part in helping them thrive. Because the first thing I’m going to do once the worst is behind us is head to Memphis. And the second thing I’m going to do is visit both of Memphis’s independent book stores.

https://www.burkesbooks.com/

https://www.novelmemphis.com/