Irish Connections

WP_20141004_001This Piece appears on The Wild Geese.Irish

I would have known I am Irish had I been adopted at birth by a family with a different nationality. Sooner or later, I would have woken up to the fact by simply paying attention to the way I am wired. It’s the little things within us that tell us who we are; the things that we are born with, that nobody put there or tried to suggest. It’s a type of self-awareness that has to do with unusual alignment, like acknowledging a deep-seated talent and feeling inextricably compelled to develop it, with no guarantee that doing so will ever amount to a thing.

I cannot recall when it started, but its recurrence happened enough to make me wary of falling asleep when I was five, for at the threshold of night’s soft transition to otherness, the half-dream would come and affect me physically. It was the sensation of falling, yet I did not fall alone in my room from my five year old bed. I knew I was elsewhere, and I felt softness, and all around me the color of wheat, which I knew was somehow wrapped around me, leaving me in it but not of it, in a reality that felt so familiar to me as to relinquish all fear. And in my mind’s eye, unlimited vastness and wide-open space. Nightly, the vision would come, until I would wait for it without apprehension. But the moment I called it into anticipatory consciousness, the dream disappeared.

I’ve always felt a bone-deep affinity with Ireland. It goes beyond the image of self-identification, and is more an inner-knowing. Knowledge of what, I cannot tell you, except to say we all have our comfort-zone in the world. I suspected mine was in Ireland long before I ever went there. There was something about seeing pictures of the island that made my heart reach out nostalgically, and once I pressed pause on my American life and went there, I’d never felt more at home.

The first time I went to Ireland, I found an ease that quieted my restless heart. It was a presence of mind that kept me anchored in the moment; a perspective so glaringly clear as to have caused a permanent shift in my thinking to this very day. It has something to do with the priority of importance, and I found it by walking the Irish land. One foot after the other in a cadence through the bog in Connemara made my soul remember something during that first visit, and last October I had cause to return.

My cause to return to Ireland involved a book, a camera, and the largess of time to mix business with pleasure. The companionship of a childhood friend and a hired car was all I needed to accomplish my goal. We flew into Shannon and cut a swatch through the west of Ireland in ten action-packed days that included The Burren, The Cliffs of Moher, Galway City, Spiddal, Kylemore Abbey, Clifden and Adare. And all the while, ease, comfort, and a sense of belonging accompanied me.

I was standing in the middle of a field in Inverin when my friend found me. She’d come out of the shops to find me nowhere around. Irritated by my unpredictability and burdened with groceries, she picked the direction that made the least sense and went in search of me.

I don’t know how I found it, except to say that my feet took the lead. I’d climbed over a gray-stone wall and started walking towards the sea, and there in the distance, mounds of spun gold. They were evenly dispersed, these neatly packed, tall bundles of hay, and once there among them, I looked right and left then selected one and climbed to its top. It was there that time folded into itself, for it was there I remembered my recurring childhood dream. I had no way of knowing which had transpired first: if my dream had been prescient or something far more unusual, but once positioned atop, I felt something in my soul exhale.

This is how I would have known I am Irish without anybody telling me: these unusual occurrences that I take as a matter of course. They defy explanation and keep me attuned to the uncanny, and because I am Irish, I embrace them with willing ascent. http://www.clairefullerton.com

Guest Post and #Pg69Challenge: Claire Fullerton’s #paranormal #TimeTravel A PORTAL IN TIME

Guest Post and #Pg69Challenge: Claire Fullerton's #paranormal #TimeTravel A PORTAL IN TIME.

*~*Blitz – Dancing To An Irish Reel by author Claire Fullerton @cfullerton3

*~*Blitz – Dancing To An Irish Reel by author Claire Fullerton @cfullerton3.

From a Writer’s Point of View

A writer’s life is a build, a constant state of becoming that begins with the secret, intuitive assumption that one must take a leap of faith and begin. There is no there to get to, only an unquenchable need that compels and drives on with inexplicable fervor. For me, it began with keeping a journal. I was young and fearful of admitting my internal mechanisms and uncertain of who would care to hear. But I felt the need to document my life in the hope that the singular act of private articulation would reveal to me who I was in the grand scheme of my self-involved adolescence. This is the prompting that leads a writer to the table; the need to explain oneself to oneself. Keeping a journal discredits all thoughts of life’s arbitrariness and puts the pendulum of cause and effect into clear perspective. One can keep current while they create a framework, then look back years later and chart the incremental construction of their personal history.
But what happens when one evolves from journal keeping to writing as a way of life? Certainly it’s an insular existence that cannot be shared. It’s like taking that running monologue we all have in our head and laying it down on purpose for no other reason than it seems the thing to do. The form of the dissertation is entirely incidental; some writers aim to inform, and others seek to enlighten or entertain. To me, it’s all the same thing: a way of communicating, and for this to happen, it takes time. And isolation. And commitment to following through no matter the length of the project.
I’ve heard it said that writers don’t write because they want to; they write because they must. What’s imperative for writers is the ability to write then throw caution to the wind. All that’s required is to say what you have to say, and then get out of the way to make room for the possibility that the devil may care after all.

https://www.facebook.com/clairefuller…

Dancing to an Irish Reel

I’m back from ten days of sheer bliss on the western coast of Ireland, and I’ll tell you why I returned to the misty, velvet shores of the area where I once spent a year: I wanted to reinvigorate my standing amongst the land and its people, and in order to do that, one has to show up in person to let the very air saturate the skin until it permeates to a cellular level and recalibrates the soul. This is how much Ireland affected me when I lived in the rural village of Inverin in the region of Connemara, yet it took a few months before I allowed myself to let go of my American frame of reference. Once I did, there was such a shift in my being that a local at the grocery store (or the shops, as they call it there) did a double take upon seeing my tranquil face and commented, “Claire, you look more Irish!” I knew just what she implied. I could already feel a newly acquired demeanor settle upon me, one that relaxed me physically and slipped me into a present tense mind frame where a type of willing acceptance of events replaced my harried propensity to manipulate my way through life. Ireland will do this to a person quickly, for it is an island with its own peculiar consciousness spawned from its cloistered history and its humble dependence upon the vagaries of the weather. I see it as an overarching attitude of rightful thinking, something which suggests there’s no point in becoming too worked up over much of anything, for change will rule the day of the best laid plans, and in the meantime, we’re all in it together, safe under the watchful eyes of God. And the Irish are a reverential people. And it’s not just God they revere. They pretty much hold all things sacred: the land, Irish history, each other. And because they comport themselves this way, they don’t take themselves too seriously, which is exactly why they have the reputation of being the friendliest lot on earth.
Let me now digress by confessing I over use the expression, “I can’t tell you how much I love” this or that. The fact is, I can and I did when it comes to the subject of Ireland. It’ll all be in my next novel, “Dancing to an Irish Reel,” to be released on March 31st, 2015. I do so hope you mark your calendar. I’ll be posting many of the photographs I took whilst in Ireland as time draws near and have already posted a few on https://plus.google.com/1010783224159… but many more are coming! To stay in the loop, please like my author page https://www.facebook.com/clairefullertonauthor

Finding Inspiration

I was recently asked the following question in an interview: “Where do you go to find inspiration?” The interviewer sited the habit of Charles Dickens, who would take to the streets of London every day in a five to six mile stroll while looking for source material, which left me with an appealing visual image. I just like the idea of this writer cruising the London streets, his eyes darting hither and yon as he tallied up random impressions. Because I wanted to answer the question to the best of my ability, I pondered it until it hit me: I don’t go anywhere; I simply live my life with my eyes open and allow myself to be influenced. Sometimes the most seemingly inconsequential things can affect me, and by this I mean strike an emotional cord. They typically happen in the blink of an eye yet this doesn’t make them any the less meaningful. What I do is follow the cord once it’s struck and let the impression fully in so I can feel its repercussion.
I think inspiration can’t be sought out because it resides within every human being. And because it resides within, there are moments when it is triggered. Once it is, I think inspiration resonates in such a way that a writer feels compelled to put it into words. Therefore, it is not so much a question of “Where you go to find inspiration,” it’s more like “What do you do once you acknowledge you’re inspired.” As for me , when inspiration is triggered, I grab a pen.