
My review, as it appears in the New York Journal of Books
Adriana Trigianiโs three-part The Good Left Undone reads like a multigenerational saga extolling the power of family. Part one begins with the sobering epigraph, โLet whoever longs to attain eternal life in heaven heed these warnings: When considering the past, contemplate these things: The evil done; The good left undone; The time wasted.โ From the poignant beginning, the template is cast and incrementally filled in two timeframes fully played out by the Cabrelli family, in a pitch so passionate the reader remains personally involved throughout the story.
The Cabrellis are working class people, proud, salt-of-the-earth Italians whose everyday lives are devoutly guided by their Catholic faith. They live among the Birtolinis, Savattinis, Spiranzas, and Mattiuzzis. They drink espresso from moka pots and dine on bombolini during coastal Viareggioโs annual Carnevale. They are jewelers, and sailors, parents, and nurses, with ties to Italy, France, and Scotland. At the center of the story is the Cabrellisโ ancestral history. The family exists in modern times because some survived the second world war.
It is 81-year-old Matelda Cabrelli Roffoโs birthday as she sits in her third generation, seaside home in the village of Viareggio, Italy. Closing her eyes, she reminisces on those now gone, and understands, โa family was only as good as their stories.โ
At 25, and engaged to be married, Anina Tizzi is a dazzler. Arriving at Mateldaโs house to keep their scheduled appointment, she reminds her grandmother of their family tradition and says, โYour grandmother gave you a piece of jewelry to wear on your wedding day, your mother gave jewelry to my mother, and now itโs your turn to give it to me.โ
When Anina asks Matelda to disclose a bit about her own mother, Matelda looks out to the Ligurian Sea and, knowing her days are numbered as the family lore archivist, concedes, โAnina would soon find out where the sea had taken Domenica Cabrelli before it swept her away, along with her true love and their secret.โ
Freeing significant family heirlooms from their hiding place to present to Anina, each a building block contributing to the overall family story, Matelda is visited by the shadow of history. It is 1920, and her mother, Domenica Cabrelli, is 11 years old, on a treasure hunt with her best friend, Silvio, along the dunes of Viareggioโs white sand beach. When bad luck finds the inseparable friends, Silvio needs stitches, and Domenica, accompanying Silvio to Dottore Pretucciโs office, decides then and there to train as a nurse. Itโs a fateful decision that spawns a trajectory of events ultimately effecting Domenicaโs life and carrying forth to future generations.
Upon learning something about her great grandmotherโs surprising story, Anina wants to hear more, and remarks of Domenica, โThere might be something else in her story that would inform my life now. One person in the family impacts the whole group.โ
The sea is a pervasive image in The Good Left Undone, as is the satisfaction an artisan receives from doing valuable work with committed hands. In the multi-layered, wider sphere, Trigianiโs focus is character driven and personal, with underlying themes of perseverance in the face of fate and chance, and an eye to preserving family lineage.
The heart and soul story of Domenica Cabrelli is thoroughly realized. It concerns the life and loves of a woman devoted to her family and heritage as set against the painstakingly researched backdrop of the Second World War, peppered with fascinating, little-known facts about the warโs impact on the Italian people.
In her compelling story, Trigianiโs detail is beautifully nuanced. Her sense of place is illuminating and vibrantly alive with the small details that make an Italian life meaningful. Matters of day-to-day survival are equally balanced with affairs of the heart in such a way that serves as a grandmotherโs cautionary tale to her granddaughter. When Aninaโs doubts about marriage arise, Trigianiโs dialogue is deadpan, quick-witted, and pithy as Matelda imparts her brass tack advice, โListen to me. Love yourself. Thatโs the greatest adventure. When you love yourself, you want to find your purpose, something only you can do in the way only you can do it. Make things. Create. And if a man comes alongโand believe me he willโthe relationship is already off to a good start because both of you love the same person. You.โ
The Good Left Undone is a poignant expose on the value of the unsung heroes in a multigenerational, working-class family, and through the power of story, author Adriana Trigiani reminds us that our own family stories are important. As Matelda reveals family secrets, the dawning of awareness comes to Anina. She becomes more and more enraptured and wants to hear everything about her family from her grandmother. โMostly, Anina wanted to reach into the years ahead and bring her children into the present so her grandmother would know them. She wanted them to hear the family stories from the source. After all, her grandmother didnโt just tell the family stories; she was the story.โ
Adriana Trigianiโs The Good Left Undone will delight book clubs, and those who enjoy historical fiction and womenโs fiction. Itโs a deeply felt, epic tale that transports the reader straight to the heart of Italy.
Claire Fullerton’s most recent novels areย Little Teaย and multiple award winner,ย Mourning Dove.ย Honors include the Independent Book Publishers Book Award Silver Medal for Regional Fiction, the Reader’s Favorite for Southern Fiction Bronze Medal and various other literary awards.

ABOUT ADRIANA
โOne of the reigning queens of womenโs fiction.โ โUSA Today
โA comedy writer with a heart of gold.โ โ The New York Times
โTrigiani is a master of palpable and visual detail.โ โย The Washington Post
Beloved by millions of readers around the world for her โdazzlingโ novels, (USA Today) Adriana Trigiani is theย New York Timesย bestselling author of twenty books in fiction and nonfiction. She has been published in 38 countries around the world.ย The New York Timesย calls herย โa comedy writer with a heart of gold,โ her books โtiramisu for the soul.โ She wroteย theย blockbusterย The Shoemakerโs Wife, theย Big Stone Gapย series, theย Valentineย trilogy andย Lucia, Lucia.ย Trigianiโs themes of love and work, emphasis upon craftsmanship and family life have brought her legions of fans who call themselvesย Adri-addictsย (a term coined by book maven Robin Kall). Their devotion has made Adrianaย one of โthe reigning queens of womenโs fictionโ (USA Today).
Adriana was among the first creators on Bulletin, Facebookโs platform launched in 2021. Her newsletter โAdriana Spills the Ink,โ covers all aspects of living with ideas gleaned from the worldโs best authors and their books. Adriana provides the tips to help you find the tools to unleash the creativity in your own life. You can read the newsletter here.
Adriana is an award-winning playwright, television writer and producer, and filmmaker. She wrote and directed the film adaptation of her debut novel Big Stone Gap, shot entirely on location in her Virginia hometown with an all-star cast including: Ashley Judd, Patrick Wilson, Whoopi Goldberg, John Benjamin Hickey, Anthony LaPaglia, Jenna Elfman, Jane Krakowski, Judith Ivey, Mary Pat Gleason, Dagmara Dominczyk, Mary Testa, Paul Wilson, Chris Sarandon, Jasmine Guy, and introducing Erika Coleman and Bridget Gabbe, with music by John Leventhal, and songs performed by his lovely wife Rosanne Cash, the legendary Ralph Stanley, Papa Joe Smiddy and the Reedy Creek Boys, If Birds Could Fly and Michael Trigiani. Glorious local talent performed on the soundtrack and acted in the movie, sharing their gifts beyond the peaks of the Appalachian mountains.




















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