On Giving an Author’s Speech

Wednesday, November 25, 2015

On Giving an Author’s Speech

By Claire Fullerton

I was recently invited to give a speech at The Pacific Grove Museum of Natural History, in Pacific Grove, California. An acquaintance of mine, whom I met at one of my book signings, is the museum’s Director of Public Relations. He thought the invitation would avail a great opportunity for me to talk about my two novels, one of which is a paranormal mystery set in nearby Carmel-by-the-Sea. After I jumped at the invitation, I started considering the audience. It would be an erudite group, interested in local history, which implied I better show up with dates and historic facts. But these are not elements in my paranormal mystery, and neither are they essential in my literary milieu. As I pondered my predicament, something occurred to me: anyone who makes a plan to suit up and attend an author’s event is interested in writing. They are somewhere on the path between aspiration and fulfillment in their own writing career, and therefore would like to hear an author articulate their findings along the road to publication and perhaps elaborate on their writing process and attendant lifestyle. I therefore decided to make my speech less about my books and more about encouragement along the road to publication.

I freely admit I am not an organized speaker. There are those who draft an outline and hit its notes in a planned cadence, but I’ve never been the sort to do well when boxed in. I need wiggle room and natural flow. I need to feel I’m in a conversation, as opposed to giving a lecture. I want to feel I’m contributing something of value in give- and- take forum, even if I’m the only one talking. And because I grew up in Memphis, when in front of an audience, I feel the need to employ Southern hospitality. Keeping this in mind, after the museum’s director introduced me from behind a podium, I thanked him for the nice introduction, ignored the podium, and pulled up a chair in front of the audience, the better for us all to feel at home.

I shared notes on the rewarding dynamic that has built my writing career: the push and pull that began with an intuitive whisper suggesting I should write something, for no other reason than the whisper wouldn’t leave me alone and was starting to bother me, in that way unutilized potential does, until it takes up square residency and won’t go away. I outlined the steps I took on the road to the publication of my first novel, which included my own newspaper column, contributions to magazines, and multiple publications in the “Chicken Soup for the Soul” book series, followed by a complete leap of faith in the draft of my first novel. I said that in my opinion, the act of writing is not so much about ambition as it is about the need to share my impressions of the business of living; that to me, it’s a prompting worth following, for no other reason than one feels compelled. But writing is a lonely business and one has to be okay with being in it alone. Writing is also about commitment, for one has to decide every day whether to be directed by self-discipline or self-doubt. Then there is the tendency to measure oneself against other writers, which is a complete waste of time. One has to write for the sake of writing, which brought me around to my most salient point.

When I think about art for art’s sake, I think of writing. If one is comfortable doing the task for its own sake, then I believe there are mysterious, uncanny forces that guide a writer onward in increments, until the sheer act of perseverance creates a body of work. When this happens, a writer can make a choice about what to do with it, keeping in mind that few writers ever definitively arrive, that there is no there to get to, and that there are only the stepping stones along the way of what becomes their writing career. A writer’s career creates itself if one holds true and stays the course. It is alchemical magic, the result that manifests from making repeated offerings via the written word and the bravery it takes to share.

After my speech, I invited questions. It was a half hour of unscripted banter, something of which an author cannot prepare. What I learned from the evening concerns the power of good intentions. If an author arrives in the spirit of helpfulness, with the intention of sharing their findings as encouragement and is willing to tell their story, then there is no need to be anxious before an audience and everything turns out better than if it had been planned.

 

The Iron Man

I’m a big fan of this Irish Writer, and his blog is one of my favorites!

historywithatwist's avatarhistorywithatwist

I’m not hugely into sports. I watch the big soccer games when Ireland plays. I appreciate the skill in a good boxing bout and I sit in awe whenever the Olympics is on and I can watch those jaw-dropping displays the gymnasts put on. Other than that, I’m not that pushed. However, my antennae have picked up on the scandals in Fifa and now also in the International Amateur Athletics Federation – IAAF. Before those, of course, we had the revelations about Lance Armstrong, one-time cycling supremo and now self-confessed drugs cheat.

It’s all enough to give sport a bad name, and it has. The purity of sport is what has been lost in these days of commercialism and scientific advances. But there was a time when those things didn’t matter and when it was the winning that counted and not the rewards to be gleaned from it …

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HOW to get promotion for yourself and your book …

Great advice for all authors!

islandeditions's avatarBooks: Publishing, Reading, Writing

Two days ago I wrote a blog post that proved to be the most popular, in terms of reach and reaction, of any I’ve ever written! Thanks to everyone who read, liked, shared, reblogged, followed my blog, and commented on it. I guess I hit a nerve with the topic of authors behaving badly and how to avoid becoming one. It seems this kind of behaviour is definitely prevalent and a problem on social media, because so many of you agreed with me and my guests who also offered quotes on experiences they’d had dealing with these self-centred authors.

I took a negative tact on that last post, because it’s a fun angle to come from with this kind of list, and I’ve had success with that approach in the past. It also allows me to write in a humorous and sarcastic voice – which I hope was the voice…

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Notes on Pat Conroy’s 70th Birthday Celebration in Beaufort, South Carolina

It’s a long way from Southern California to Beaufort, South Carolina, but there was only one way to attend my favorite author’s 70th birthday celebration. In my mind, Pat Conroy is the king of American literary letters; his gift of lyrical language and sense of place is unparalleled, and I’d have rather flown across the country to meet him than anyone else in the world. Oh, I hemmed and hawed and weighed and measured to exhaustive degrees before I remembered life is short and I should grab onto its once in a lifetime opportunities with both fists. So I booked my passage and accommodation, bought my event tickets online, and attended what was billed as the University of South Carolina’s “Pat Conroy at 70” celebration. It was a three day celebration of Conroy’s work, beginning with the movie screening of “The Great Santini” followed by two days of panel discussions from writers touched and influenced by Conroy’s rarified way with language and prose, and ending with a birthday cake the shape of the shrimp boat “The Miss Lila,” featured in Conroy’s masterpiece, “The Prince of Tides.”
As a writer who hails from the South, I was in my element, yet hadn’t expected to feel this way. All around me were vibrant, chatty book lovers and Southern writers so lit with joy and enthusiasm at the thrill of simply being in this literary icon’s presence that it was like being in an ecstatic beehive with a jury of my peers. In this day and age of instant gratification and technological immediacy, book lovers are an esoteric lot, but you wouldn’t have thought this in the crowd assembled to celebrate Pat Conroy; it wouldn’t have crossed your mind that there was anything else going on in the world outside of the event, and if it had, it wouldn’t have mattered. Within the walls of the University of South Carolina Beaufort Center for the Arts, an overarching spirit of what I can only describe as pure love radiated from pillar to post, connecting each person one to the next in an inclusive, tribal embrace. And there in the midst sauntered Pat Conroy, humble, bemused, self-effacing, and accessible, comporting himself as if three hundred of his closest friends had gathered in his living room.
The thing about book people is nothing else lights their fire in quite the same way as a good book. A good book opens interior doors, calls things by name, and grants permission for the reader to take the risk of feeling outside of the parameters of self-consciousness and vulnerability. A good book tells us we are not alone in this world, that it’s okay to be human, and that there is safety in numbers. I think this is why so many flocked to bask in the glow of Conroy: to many he is the bearer of the cross; the keeper of the literary flame; the way shower who has mastered the art of storytelling in such a way that it suggests there is rhyme and reason to this business of living.
What struck me the most about Pat Conroy is his humility. He is the kind of guy who is baffled by his own impact. He possessed a kind of wide-eyed, child-like wonder at the realization that so many came to attend a three-day conference in his honor. And because he is sincerely interested in writers and what they have to say, he sat in the audience of every panel discussion with rapt attention, as if it were he who had something to learn from the authors who read from their works and expounded on his virtues.
I can’t recall what I expected from the weekend celebration of Pat Conroy’s life, for it has now been supplanted by what actually transpired. All I remember was the demanding, inexplicable lure of wanting to be a part of it because I sensed, in some dramatic fashion, that there would be something for me to take away, to pocket in the archives of my own literary journey that I would value forever. And I will. I will value forever the fact that Pat Conroy has not only shown me what is possible with the written word, but what is possible should one find themselves with the distinction of wearing the mantle of fame and acclaim. Pat Conroy exudes docile grace and a generosity of spirit that takes him outside of himself and into the arena of an inclusive, generous camaraderie with all people. He stands not only as an example of how to comport oneself as a writer, but as an example of dignity and decency in how to be a human being.

https://www.facebook.com/clairefuller…

On an Irish Bus

He would have stood out anywhere, and standing in front of the entrance to a boutique hotel in Spiddal, wielding a black walking cane with an ivory handle two paces before made him glaringly incongruous to everything I’d come to know about the western coast of Ireland. He wore a three piece suit on his gentle frame: black, with gray stripes the width of angel’s hair, with a fitted vest, tailored trousers, complementary cravat, and a black Fedora angled just so.

I looked out from my window seat on the bus from Carraroe to Galway. It was one of those old kinds that looked as if it once had a life as an elementary school bus now put out to pasture. With aluminum rails on the seats before, the bus would take off noisily, gravel scattering beneath its wheels before I had a chance to sit down. The bus driver greeted me in awkward English. It took a few rounds of greeting me in Irish before he finally realized I am an American, and his guttural salutation now came out sounding like something a little to the left of “Hiya.”

The bus rolled to its customary stop on the coast road that runs through the heart of Spiddal. There is no sign there; the stop is force of habit because years of driving this rolling route through Connemara told the driver where travelers would be standing shielded from the vagaries of Irish weather.

Heads turned as the dapper, elderly man mounted the bus. He steadied his gait with his cane and favored his right foot up the three steps then halted beside the bus driver to beam his greeting. Out of the corner of my eye, trying not to stare, I saw the man tip his hat repeatedly to the right and left as he made his way down the aisle to the vacant seat beside me.

“Nice day,” he said to me as he took off his hat and placed it on his lap. “Going into town, is it? Where you go every day?”

“Yes,” I said caught by surprise and thinking nothing gets by anybody around here.

“Kearney’s the name, Seamus Kearney,” he offered himself. “You’re an American, yah?” he asked in that way the Irish have of answering their own question.

“Yes,” I answered.

“From the South, is it?” he continued.

“That’s a good ear you have. Yes, I’m from Memphis, Tennessee, but I spent the last five years living in Los Angeles,” I clarified.

“God helps us all,” he said with a wink. “And what is your name, then?” he prodded.

“Claire Fullerton.” I shook his offered hand.

“And your middle name then? Have you Irish connections?”

“Yes, I have Irish connections on both sides. My middle name is Ford,” I said.

“Ford,” he considered, wrinkling his brow. “That’s an odd middle name for a girl.”

“Yes, perhaps,” I said. “But I’m not an odd girl; I promise.”

“Now the Fords, they’re from around these parts. They’re old as the hills and Irish as the soil.  Many are up the road in that old graveyard by The Centra,” Seamus Kearney said. “So they called you here, they did,” he said in more of a statement than a question.

“No, actually it was a whim that brought me here. I never knew any of my Ford relatives. Most of them died before I was born.”

Seamus drew in his breath in that audible sigh the Irish do, when they’re getting ready to say something poignant. It is a sound with a world of understanding contained: one part camaraderie, the other commiseration. “So, they called you here, they did,” he reiterated patiently. His white eyebrows raised encouragingly, as if leading a child along the road to good reason.

“Yes, definitely,” I complied.

“Ah then, there it is, so. We in Connemara don’t see the need in being parted by a little thing like death,” he said.

I couldn’t wait a second longer; I couldn’t help but ask, “Do you always dress like this?”

“Like what?” he asked genuinely unaware, which made me wonder if I’d put my foot in my mouth.

“You look so nice; I was only thinking that,” I said, the heat rising to my face.

“Pride of person’s not an unpardonable sin,” he said. “Now let me ask you what it is you do in town.”

The next thing I knew, I was explaining everything I did at my job in Galway, while Seamus gave me his rapt attention, with a pleased look on his face. Had I still been living in Los Angeles, a conversation like the one I had with Seamus Kearney would never have taken place. One simply did not divulge personal information to a stranger in Los Angeles without thinking it would come back to haunt in some unexpected way. But this was Connemara, and the Irish have a way of exchanging pleasantries in a manner that is somewhere between an exploration of and commentary on this business of living. It is an art so subtle you have to narrow your eyes or you’ll miss it; it comes creeping softly wearing white cotton socks and sensible shoes.

The bus rolled to a stop at the Spanish Arch, down by the quays in Galway. I stood up to disembark. “Nice to meet you, Mr. Kearney,” I said.

“Call me Seamus, please,” he returned. “I live just by the church there in Spiddal. I’d love for you to call out any time for a cup of tea,” he said, with his blue eyes smiling.

“Thank you so much, I will,” I returned, and as I got off the bus to head over the River Corrib’s bridge, I turned to wave to Seamus Kearney and knew without question I would.

Reflections of a Southern Mother

The first voice to caress my infant ears rolled with such lyrical beauty that I am offended by other accents to this day. It soothed in its quicksilver fluidity, lacked hard edges, and whispered in promises so compelling it could turn the most resistant of souls into a willing adherent. I know now that sound travels queerly and can reach back through time. I often hear the voice of my Southern mother when I least expect it; it comes to me more as reminder than recollection, and carries truth along the lines of a template so firmly etched by her feminine hand that its imprint is resounding, guiding, indelible. There was a time in my youth when I resisted this influence in pursuit of my self-sufficiency, but life is an ironic circle, and the process of maturity tempers to the point where my mother’s voice has victoriously come back around. It calls from the shelter of a wrought iron and stucco portico in my mind’s eye, where she stands saturated with the scent of magnolia blossoms and shaded from the summer sun that filters through Memphis’ oppressive humidity. I can barely hear her calling over the late afternoon’s deafening chorus of cicadas, yet she is there as the voice of reason, rising up as the music of consciousness, whose lines are now so blurred I can no longer discern which is hers, or which is mine. But I measure my life from the parameters of her spectral inflection; I am thoroughly capable of standing in witness of myself as I walk out to meet life’s vagaries. It is a gift to be bestowed with a standard so certain it shines like a beacon from the otherworld in the darkest of hours. Because my mother’s Southern ways were never overt, she held firmly to the cultural aversion to histrionics and wielded the power of suggestion like a finely tuned instrument that only sought the high notes of beauty in this world. And so it is for myself and my Southern contemporaries. We are the scion of the last of the great Southern belles, the daughters of a confederacy of women so regal and refined they left an impact that reverberates through the ages, beckoning us to hold on tight enough, strong enough, fast enough to a way of being in the world they found safe in its civility, even as the world around us changes. And what’s funny to me is realizing that the shadow these grand dames cast was so weighty; there’s a part of me now that waits for permission to step into any one of their delicate shoes. But too many are gone now, and there will be no rite of passage, so I will stand tall and rely on this voice in my head that reaches through the veil of time to offer guidance; a place from which my mother calls softly, ceaselessly, unerringly, in a dance that has become a perfect circle.

#BookReview of Levant Mirage by @OliverFChase

An astoundingly impressive review from Ronovan Writes on this action thriller!

Ronovan's avatarronovanwrites

Levant Mirage by Oliver F. Chase

You all know I don’t often cross my two sites over with each other. LitWorldInterviews is its own beast. I could count on one hand the times I recall having shared a book review here on RW, as it’s known behind the scenes. Today I wanted to share this one that I wrote for Levant Mirage by Oliver F. Chase. Why? Read on and you’ll see.

I received a copy of this book for an honest review and I’m glad I did. After having read it, I almost want to send him a check.

Levant Mirage takes snapshots from the headlines of the past few years to build a character and combines it with frighteningly realistic levant miragepossibilities to give a story you pray never happens.

35 year old U.S. Army Major Adam Michaels is no James Bond, nor did he ever set out to be. What is he? He’s a…

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Truth In Fiction – Guest post by Claire Fullerton

Source: Truth In Fiction – Guest post by Claire Fullerton

Ten More ’79 Words Story’ Entrants…

Chris The Story Reading Ape's avatarChris The Story Reading Ape's Blog

79 WSC

Further to the fun 79 Word Challenge set byAuthor Andrew Joyce– clickHEREto check out HIS story AND click HERE to see the first seven great entries 😀

NOW READ TEN MORE ENTRIES BELOW:

(To visit the writers blogs, click on their names or photos)

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‘Found’ by Danny the Dog

Danny the Dog

The woods are dark, the cabin isolated.

In the distance, a bird cries into the night.

The only light, the fire in the hearth.

Not far off, a twig snaps underfoot.

Someone softly comes my way.

The dread in me rises.

Have I been found?

I am cut off from running; it is too late for that.

In pensive silence, I await my fate.

The door bursts open, Andrew is silhouetted against the stars.

SURPRISE!”

I so hate birthdays.

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I Live Here by Annette Rochelle Aben

Annette

All she kept emphatically telling everyone was…

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